Heritage Homes by Design

Beyond Decoration

Fri, 24 Apr 2026 17:57:40 GMT

The Case for Professional Design

1. Clarity: Solving Problems You Can’t Always see

Most homes don’t just need renovating - they need resolving.

That might mean addressing awkward layouts, improving how light moves through a space, or ensuring that different areas support the way you actually live. In older properties, it often goes further: understanding how the architecture was intended to function, and where modern life has disrupted that.

An experienced designer doesn’t start with colours or furniture.

They begin by asking the right questions, identifying what isn’t working, and creating a plan that brings clarity to the whole. Every decision that follows is grounded in that thinking, so the result feels coherent, not pieced together.

2. Perspective: Seeing Your Home Differently

When it’s your own home, it’s incredibly difficult to step back.

You’re living in it every day. You adapt to its quirks. You make small compromises without noticing them. Over time, it becomes harder to see what could change, or what should stay.

A designer brings a fresh, objective perspective.

They see both the detail and the bigger picture, and crucially, they’re not emotionally tied to the space in the same way. That distance allows for clearer decisions, whether that’s reworking a layout, introducing colour with confidence, or knowing when restraint will create a stronger result.

It’s often this shift in perspective that unlocks the most meaningful transformation.

3. Value: Investing Wisely (and Avoiding Costly Mistakes)

There’s a common misconception that hiring an interior designer is an added expense.

In reality, it’s often what prevents unnecessary spending.

Design decisions made in isolation can be costly in time and money to undo. This is applicable whether you’re talking about the design of an extension or a sofa order. A structured design process avoids this by ensuring everything is considered in advance, from spatial planning to final detailing.

Designers also bring access: to trusted craftspeople, specialist suppliers, and materials that aren’t always available on the high street. More importantly, they know how to use them well.

The result is not just a better-looking home, but one that feels resolved, intentional and built to last.

A More Considered Way to Design Your Home

Good interior design isn’t about imposing a style.

It’s about understanding your home, its history, its architecture and how you want to live in it. This enables a designer to shape something that feels entirely natural as a result.

If you’re working with a period property, or planning a renovation where the details truly matter, having that level of clarity and direction can make all the difference.

If you’re considering a project and would like a more thoughtful, structured approach, I’d be very happy to talk it through.

When Arts & Crafts Influenced Education

Mon, 13 Apr 2026 15:24:40 GMT

A Tour of Prior's Field School, Godalming

Originally called Prior’s Garth , the house was designed in 1900 by Arts and Crafts architect CFA Voysey for Frank Harding Chambers, a master at Charterhouse. Before it was completed, Chambers moved away and sold the property to Leonard Huxley, also a Charterhouse master.

From 1901, his wife, Julia Huxley, transformed it into a progressive girls’ school. Her vision was quietly radical: an education rooted not just in discipline, but in culture, curiosity and a genuine love of learning. These liberal ideals, influenced by the Arts & Crafts movement, put an emphasis on creativity, individuality and moral development, and rejected rigid, traditional Victorian schooling. The school’s enduring principles, admiration, hope and love , were drawn from Wordsworth’s The Excursion, and still underpin its ethos today.

A House Never Meant to be a School

Rich in knowledge, Prior’s Field was, however, short on space. Expansion became inevitable.

Voysey’s assistant, Tom Muntzer, the son of Voysey’s builder, was tasked with designing the extension. His solution was both practical and sensitive: four new blocks arranged around an inner courtyard, extending from the original house.

The scale of this addition reflected the school’s rapid growth. As the Clifton and Redland Free Press noted in 1908:

“When her [Julia’s] school opened in 1902 it boasted one boarder and five day girls; now it numbers eighty boarders.”

Growth has continued ever since. By 1911, the school comprised 127 rooms. Later additions, including a music school, classrooms, a sports hall and a headteacher’s house, mark each phase of its evolution.

And yet, this evolution has never been straightforward. As a Grade II listed building, Prior’s Field sits at the intersection of preservation and practicality, an enduring example of the delicate balance between design integrity and modern use.

The Beauty of Original Detail

What makes Prior’s Field so compelling is not just its history, but the survival of its original character.

There is an inherent tension in caring for historic features within a working school, especially in a listed building. It is, at times, both a blessing and a challenge. And yet, here, the two have been thoughtfully reconciled.

The former dining room remains oak-panelled, its concave fireplace framed by Wrecclesham green tiles and a pillared surround. The staircase features Voysey’s characteristic slender uprights, alongside delicate bird motifs set into the air vents.

Upstairs, bay-windowed rooms, originally bedrooms, still retain their modesty panels, a subtle reminder of their domestic origins.

Even the building’s evolution tells a story. A corridor that once ran open along the quadrangle was enclosed and glazed by 1916. The library, dedicated to Ethel Ann Burton Brown, the school’s second headmistress, was later refitted in 1928 by Russells and Sons of Broadway, renowned Arts and Crafts furniture designers.

An Unconventional Plan

Voysey’s design is quietly subversive.

The south elevation appears symmetrical, suggesting a formal entrance, but there is no front door. Visitors were instead intended to approach from the north, where the entrance sits off-centre.

Later alterations complicated this further. A perpendicular extension obscured the original doorway by introducing a new entrance at a 45-degree angle, creating a plan that feels, at times, unresolved.

One room in particular captures this ambiguity: a space with extensive glazing, including an arched glass ceiling vault that extends into the porch. Now reminiscent of a “goldfish bowl”, it was originally the prefects’ room, its transparency offering a subtle means of supervision.

It is an imperfect solution, but a fascinating one. A reminder that buildings evolve, often in ways their original architect never intended.

What This Teaches Us About Our Homes

There are clear lessons here for how we design today.

Arts and Crafts interiors prioritised:

Built-in furniture
Honest materials
Craftsmanship over trend
A deep connection to the surrounding landscape
Thoughtful, human-centred planning
Attention to detail

These principles remain as relevant now as they were in Voysey’s time.

And yet, many modern renovations move in the opposite direction, adding complexity, overlooking flow and losing sight of architectural integrity.

We often add more, but achieve less.

Prior’s Field offers a different perspective: that good design is not about accumulation, but about clarity.

A Living Legacy

Today, Prior’s Field remains a thriving independent school for girls. Despite its many adaptations, it still stands as a significant example of early 20th-century domestic architecture, one that continues to function, evolve and inspire.

Even its identity reflects this balance between past and present. The original school badge, designed by Voysey, featured a stylised heart and a bird of wisdom perched in an olive tree. Its recent reinterpretation focuses on the bird itself, “a modern take on our cherished heritage. The ‘Bird of Wisdom’ takes flight into the future, symbolising our commitment to growth, evolution, and embracing the modern world”.

It is a fitting metaphor for the building itself.

Perhaps the final word belongs to Sir Julian Huxley, Julia’s eldest son, who described the school as:

“…an oasis where the arts and the humanities are cultivated, as well as science and the practical activities, where nature can be enjoyed, where the individual and individuality matter…”

He could just as easily have been describing the ideals of the Arts and Crafts movement.

Or, indeed, the kind of homes we still aspire to create today.

The Influence of Environment

A Cultural Footprint

Prior’s Field School has long attracted a culturally influential community.

Early pupils included Frances Siemens, daughter of industrialist Alexander Siemens; Mary Conan Doyle, daughter of Sir Arthur Conan Doyle; and Eleanor Giedgud, sister of Sir John Gielgud, who attended a boys’ prep school in Godalming.

Ruth Turner, who attended the school in 1909, was the daughter of Arts & Crafts architect Hugh Thackeray Turner, secretary and fellow of the Society of the Preservation of Ancient Buildings. Ruth married Charterhouse master and climber, George Leigh Mallory, who perished climbing Everest.

The alumni also include Enid Bagnold, who wrote National Velvet. Her great-granddaughter is Samantha Cameron, the wife of former Prime Minister, David Cameron. Success extends right through the century with Old Girl actor Victoria Hamilton.

These names are not incidental. They reflect a school, and a setting, that has consistently nurtured creativity, ambition and independent thought.

Your Thoughts

What do you love about the Arts & Crafts period? We'd love to know.

Or are you about to start a renovation, and are looking to include good design and craftsmanship, but don't know where to start? How will your design connect with the landscape and create a new narrative?

Drop us a line. We'd love to hear from you.

How to Use Colour in Your Home Without Getting It Wrong

Fri, 10 Apr 2026 07:00:02 GMT

Why Most People Choose the Wrong Colours

Start With How You Want the Room to Feel

Before thinking about paint charts or trends, pause and ask a simpler question.

How do you want this room to feel when you walk into it?

Calm and restorative?
Warm and welcoming?
Light and uplifting?
Rich and cocooning?

This is where colour psychology comes in, and it is often the missing piece.

Soft greens and blues tend to create a sense of calm. Earthy tones feel grounding and comforting. Deeper shades can make a space feel intimate and secure.

When you begin with feeling rather than colour names, your choices become much clearer.

Understand the Role of Light

One of the biggest mistakes I see is choosing a colour in isolation.

A paint sample in a shop or on a screen tells you very little about how it will behave in your home.

Natural light shifts throughout the day. North-facing rooms can flatten colours, while south-facing rooms can intensify them. Artificial lighting adds another layer again.

A soft neutral in one room can look cold in another. A gentle green can suddenly appear much stronger once it is on all four walls.

This is why testing in situ is not optional. It is essential.

Think in Palettes, Not Single Colours

Homes that feel cohesive are rarely built around one colour. They are built around a palette.

This does not mean everything has to match. Colour drenching is a trend, but it may not be right for your rooms. What you need for long-lasting impact are the right shades and palette for your home. The most interesting interiors use a considered mix of tones that relate to each other.

You might start with a base of soft neutrals, layer in mid tones, then add depth with darker accents. Or you might take inspiration from nature, where colours naturally sit comfortably together.

The key is restraint. Too many competing colours and the space starts to feel unsettled. That doesn’t mean the room can’t look lively and vivacious. It just means less is more.

Use Colour Beyond the Walls

If committing to colour feels daunting, start elsewhere. Cushions are probably the least expensive place to start if you’re trying to work out if you can live with a colour. Bespoke interiors, however, consider how colours play and interact across upholstery, curtains, artwork, rugs, joinery and accessories.

These elements allow you to introduce colour in a more flexible way. They also add texture and depth, which is just as important as the colour itself.

Often, once these layers are in place, the right wall colour becomes obvious.

Respect the Architecture of Your Home

In period properties, colour should never feel imposed. It should feel as though it belongs.

That might mean drawing from the age of the building, its materials, or even its setting. A Victorian home can carry deeper, richer tones beautifully. An Arts and Crafts house often suits softer, nature-inspired palettes.

When colour works in harmony with the architecture, the result feels effortless, and you may end up choosing something you would never have initially been drawn to on a paint chart.

The Quiet Secret to Getting it Right

There is no perfect colour in isolation. There is only the right colour for that room, in that light, for the way you live.

The homes that feel the most successful are not the ones that follow trends. They are the ones where colour has been considered, tested and layered. Colours with intention.

Need a Hand?

If you are unsure where to start, this is exactly where a professional eye can make all the difference.

At Home by Design, I help clients create considered colour palettes that feel personal, balanced and entirely at ease within their homes.

If you would like help shaping your space, I would love to hear from you.

Choosing paints

Fri, 13 Mar 2026 08:30:14 GMT

Why it Matters What Paint you Put on your Walls

The Crucial Link: Breathability, Damp and Building Physics

Older buildings were usually built to breathe: lime mortars, porous bricks and lime plasters allow water vapour to move through the fabric so moisture can evaporate outside or to internally ventilated spaces. Modern paints with plastic or oil binders (low-permeability acrylics, masonry paints and some emulsions) can form a vapour barrier. That stops moisture escaping, so damp becomes trapped inside the wall, leading to flaking, salt bloom, mould and long-term decay of plaster and masonry. The moisture has to go somewhere. For heritage substrates, choosing a breathable finish that permits vapour transmission is therefore a primer for long-term preservation.

Many conventional petroleum-derived paints release volatile organic compounds (VOCs) during application and curing. Short-term exposure can irritate eyes, nose and throat; long-term or repeated exposure is linked to respiratory problems and other systemic effects. From an environmental perspective, synthetic binders are fossil-fuel derived and their lifecycle (production, solvent use, disposal) carries a higher carbon and pollution footprint than many natural or mineral alternatives. Choosing low- or zero-VOC and mineral/natural paints reduces indoor pollutants and typically lowers embodied-carbon and toxic solvent use.

The Benefits of Eco-Friendly/ Breathable Paints

Breathable, traditional or “eco” paints (limewash, clay paints, mineral silicate paints and plant-based emulsions) offer several practical benefits for heritage properties:

Allow moisture to escape : compatible with lime plaster and solid walls, reducing trapped moisture and mould risk.
Low or negligible VOCs : better indoor air quality for occupants.
Durability on the right substrate : mineral silicate paints chemically bond to mineral surfaces and are very long lived; natural paints can be more repairable and easier to recoat sympathetically.
A smaller environmental footprint : many are plant, earth or mineral based rather than petroleum-derived.

These advantages make such paints a sensible first choice for lime-plastered rooms, solid brick walls and other traditional substrates.

The Disadvantages of Modern Petroleum-Derived Paints

Modern acrylic and many masonry paints do have benefits (cheap, fast drying, high opacity), but on historic buildings they can cause problems:

Low vapour permeability : they can trap moisture behind the coating and cause plaster failure.
Higher VOC emissions (especially older formulations): short-term odour and indoor air quality issues.
Difficult to reverse : many modern coatings strongly adhere to substrates, making future paint removal or restoration harder and more invasive.

For a heritage project, the “quick and cheap” paint can create expensive repair work later, and it also masks authentic finishes.

How to Tell Whether you Existing Paint is Petroleum-Derived

If you suspect a modern paint has been used, here are simple checks you can do before major work:

The rubbing-alcohol / acetone test : moisten a cotton ball with isopropyl alcohol (or acetone for a stronger test) and rub an inconspicuous area. If paint softens or comes off easily it’s likely water-based (latex/acrylic). If it resists and stays hard it’s likely oil-based or a strong synthetic coating. (Always test in a discreet place and wear gloves/ventilate.)
Look at the sheen and feel : plastic masonry paints and acrylic emulsions often have a smoother, slightly plasticky surface; breathable natural paints (limewash, clay) feel matt and more mineral/velvety. However, it is often difficult to tell with modern flat matt paints.
Check product labels or datasheets : if you can trace what was used (leftover tins, decorator’s invoice), technical data sheets reveal binder type and VOC content. Manufacturers will state whether a paint is mineral/silicate, clay or acrylic.

If in doubt, commission a small professional analysis. Conservators and heritage painters can identify coatings without harming the substrate.

What to do with Petroleum-Deprived Paint on a Heritage Wall

Don’t panic, assess: If the coating is sound and there’s no rising damp or flaking underneath, you may be able to plan a staged remediation rather than immediate full removal.
Prioritise the fabric: If damp or trapped moisture is evident, breathable finishes should be introduced as part of a fabric-first repair (improve drainage, fix leak paths, then address coatings).
Test small removals first: Mechanical, hot-water/steam and controlled chemical stripping are techniques used to remove plastic/static masonry paints; choose methods that won’t drive salts or caustic residues into lime plaster. Specialist conservators can advise which method suits the substrate.
If removal isn’t possible immediately: Avoid sealing the surface with further impermeable layers. Instead consider reversible, breathable solutions (limewash or sacrificial mineral finishes) after appropriate preparation. This can only be a temporary as the layer beneath is still not breathable.
Engage a heritage decorator or surveyor: They’ll test, specify breathable primers/coats and suggest substrate repairs first. A wrong DIY fix can make problems worse.

Quick Specification Checklist

Repair the cause of damp first (roofing, gutters, drainage).
Confirm substrate type (lime plaster, brick, previously painted).
Use breathable finishes for lime and solid walls (mineral, clay, limewash or plant/emulsions).
Choose low/zero VOC products for interiors (health and sustainability benefits).
Ask for technical datasheets and breathability (permeability / vapour diffusion) values from the manufacturer.

For heritage homes, paint is more than decoration. It’s part of a conservation strategy. Thoughtful specification (breathable, low-VOC, mineral or natural products) protects the building fabric, the people who live and work in the property, and the planet.

It’s technically possible to overpaint water-based wall emulsion with traditional natural paints (clay, lime or chalk-based paint) but the wall will only be as breathable as the non-porous layer. Water will still need to escape, so overpainting doesn’t solve the problem. It just moves it elsewhere.

Removal sounds like a painful process, but damp and flaking will continue to occur until the wall is allowed to breathe.

Quick Facts

Common non-breathable paints: vinyl matt, soft sheen, silk, and acrylic-based paints are generally not breathable as they create a plastic film. "Heritage colours" are not necessarily paints suitable for heritage properties.
Modern paints can be water or oil based. Water-based wall emulsion is frequently acrylic-based or a blend of acrylic and vinyl, designed for durability and ease of use. While all acrylic paint is water-based, not all emulsion paint is pure acrylic, as it can also use lower-cost vinyl resins.
If your walls are already painted with a water-based paint, it will generally be suitable for overpainting with a natural paint (such as clay, lime, or chalk-based paint), provided the surface is properly prepared. However, while natural paints are often used for their breathability, applying them over a non-porous plastic-based acrylic will seal that layer, meaning the wall will only be as breathable as the underlying acrylic layer.
Oil-based paint is not suitable for overpainting with natural paints. The oil prevents other paints from adhering properly, and the wall will still not be breathable.
When choosing a breathable paint look at its SD values, which should be disclosed on Safety Data sheets. The lower the value, the more breathable the paint (should be 1 or lower).

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How to Choose Soft Furnishings for a Beautifully Layered Interior

Wed, 11 Mar 2026 09:23:24 GMT

Why Soft Furnishings Matter More Than You Think

Soft furnishings are often treated as the finishing touch to a project, but in reality they are central to how a room feels.

They influence:

Light control and privacy
Acoustics and warmth
Colour balance within a scheme
How comfortable and inviting a room feels

In period properties especially, textiles play a powerful role in softening architectural elements such as timber beams, stone floors and large sash windows.

Thoughtfully chosen fabrics also help connect the architecture of a property with the personality of the people living there.

Start With the Mood of the Room

Before looking at fabrics, I always encourage clients to think about the feeling they want the room to evoke.

For example:

A bedroom may call for calming tones, layered textures and gentle light filtering.
A drawing room might benefit from richer colour, pattern and heavier drapery.
A kitchen or family room often needs practical fabrics that still feel relaxed and welcoming.

Once the emotional tone is clear, the fabric choices become far easier.

Pattern, Texture and Scale

A well-designed room rarely relies on just one fabric. Instead, a successful scheme layers:

Patterned textiles
Plain or textured fabrics
Different material weights

Balancing scale is particularly important.

A large botanical print on curtains, for example, might be paired with smaller-scale patterns on cushions and a subtle woven texture on upholstery. This creates interest without overwhelming the room.

The Importance of Window Treatments

Windows are often the architectural focal point of a room.

Choosing the right treatment can dramatically change how the space feels. Options might include:

Full-length curtains for softness and elegance
Roman blinds for a tailored look
Layered curtains and blinds for flexibility

Working with specialists can make this process far easier. Our partnership with Closs & Hamblin, who have been advising homeowners on fabrics and window dressings since 1933, means we can offer interior design expertise and heritage craftsmanship. Between us, we bring decades of experience in bespoke soft furnishings, colour and design detail.

Practical Details That Make a Difference

Beautiful soft furnishings also need to work in everyday life.

Small details that can make a big difference include:

Choosing the right curtain lining for insulation and light control
Considering durability for family spaces
Selecting fabrics that age gracefully in older properties
Ensuring proportions suit the room’s architecture
Remember details such as cushions, seat pads, lampshades etc.

These are often the details that elevate a scheme from simply attractive to truly well-designed.

Download the Full Guide

To help homeowners navigate these decisions, we’ve created a comprehensive guide to choosing soft furnishings, developed in partnership with Closs & Hamblin.

Inside the guide you’ll find:

How to choose the right fabrics for different rooms
Tips for mixing pattern and texture
Guidance on curtains, blinds and window treatments
Practical considerations for heritage properties

The full guide is available exclusively to readers of the Design Digest.

Subscribe below to receive your copy and more thoughtful design insights for period homes.

The Survival of the House that was Never Meant to be

Fri, 20 Feb 2026 12:08:33 GMT

A Visit to Killerton House

As designers, there is a lesson here. We often assume scale equals significance. Yet Killerton proves that proportion, comfort and beauty, thoughtfully executed, can eclipse even the boldest architectural intention.

Killerton was built for the Aclands and, remarkably, remained in Acland hands from 1778 until the mid-20th century. Generations shaped it. Refined it. Lived in it. This continuity is palpable when you walk through the rooms.

Unlike many estates that passed between families, Killerton feels cohesive. Its evolution is layered but not fractured. There is a calm confidence in its Georgian symmetry, softened by centuries of occupation rather than ostentation.

And then, in 1944, came another extraordinary decision.

The Gift of Radical Inheritance

Sir Richard Acland, the 15th Baronet, did something almost unthinkable for an English landowner of his standing.

He gave the entire 6,400-acre estate, which included the house, parkland and farmland, to the National Trust.

His reasoning was deeply personal and profoundly political. Guided by progressive, socialist and Christian convictions, he believed that no individual should own such a vast amount of land. Killerton, in his view, belonged to the nation.

It is difficult to overstate how radical that gesture was in 1944, towards the end of a war that had already reshaped Britain’s social order. While others were tightening their hold on legacy, Acland released his.

Today, when we speak about stewardship, sustainability and heritage protection, Killerton stands as a powerful early example of those principles in action.

What Killerton Teaches Us About Home

Walking through Killerton, I was struck not by grandeur alone, but by restraint.

The house is elegant without being overwhelming. Proportioned without being pompous. It was designed to be lived in, and that intention never changed.

As someone who works with period properties, I’m always fascinated by the tension between aspiration and authenticity. The Aclands could have pursued the monumental. Instead, they embraced the human scale.

And perhaps that is why the house endures so gracefully.

Why Visit?

Killerton is not simply another stately home.

It is a story about:

ambition redirected by affection
inheritance reshaped by principle
architecture softened by continuity
land transformed into legacy

It asks quiet but important questions:

What makes a house worth keeping?
When does enough become too much?
And what does it truly mean to own, or to be the custodian, of a place?

If you’re drawn to heritage homes, layered histories and the intersection between architecture and belief, Killerton is more than a day out. It is a narrative in brick and landscape.

And sometimes, the houses never meant to last are the ones that endure the longest.

Over to You

Have you ever fallen in love with a house that wasn't part of the original plan?

Or perhaps you're restoring a period property and wondering how to balance ambition with authenticity.

If you'd like to explore how history can shape the future of yoru own home, I'd love to hear from you.

When Walls Kill

Wed, 18 Feb 2026 17:42:33 GMT

The Beautiful and Deadly History of Wallpaper

From Painted Paper to Status Symbol

Wallpaper’s story begins in ancient China around 200 BC, where hand-painted rice papers were applied to walls as early decorative surfaces. These weren’t simple repeats. They were immersive artworks filled with birds, landscapes and symbolism.

When Chinese wallpapers reached Europe in the 1600s, they caused a sensation. Wealthy households displayed them like fine art, sometimes cutting them into panels and framing them on walls.

One of the earliest surviving examples of European wallpaper was discovered in England and printed on the reverse of a London proclamation from 1509. This quirky time capsule reveals how integrated walls and culture became.

Wallpaper was already doing what it still does best today: transforming rooms into experiences.

By the 16th and 17th centuries, wallpaper spread across England and France as a cheaper alternative to woven tapestries. Early versions were hand-printed using carved wooden blocks, often in black and white, then slowly expanded into rich colours.

But, it wasn’t always welcomed. During Oliver Cromwell’s rule in England, wallpaper was briefly frowned upon. It was considered too indulgent and decorative. But once fashion returned, it returned boldly.

By the Georgian era, wallpaper had become a key design feature in homes of all classes.

And then came the colour revolution.

The Victorian Obsession That Turned Deadly

In the 1800s, industrial printing made wallpaper affordable for the masses, and brighter than ever before.

Victorians adored vivid green. But there was a problem.

Many of those lush emerald shades were made using arsenic-based pigments.

In damp rooms, these wallpapers could release toxic gases or shed poisonous dust. Families fell mysteriously ill. Children weakened. Deaths were blamed on bad air or disease, while the walls quietly and slowly killed their occupants.

Wallpaper wasn’t just fashionable. It could quite literally murder.

No wonder it made perfect material for crime fiction later on.

Designers eventually abandoned dangerous pigments, but wallpaper’s emotional power still grew.

In the late 19th century, creatives like William Morris transformed wallpaper into an art form, celebrating nature, craftsmanship and harmony. His company's intricate florals and layered patterns still influence heritage interiors today.

Wallpaper shifted from hazardous to healing. It had the power to shape mood, atmosphere and connection to place.

Why Wallpaper Still Tells Stories Today

Every layer in an old house is a timestamp. Strip back a wall and you might find:

Georgian damasks beneath Victorian florals
1930s geometrics hiding under 1970s textures
Colour palettes that reveal changing tastes, technologies and lifestyles.

In heritage homes especially, wallpaper acts like archaeological evidence, showing how people lived, what they valued and how design evolved.

Wallpaper has had the power to shape mood, signal wealth, transform architecture, reflect technology.

And occasionally… it reveals something far darker.

When we choose wallpaper today, whether a hand-printed heritage design or a contemporary mural, we’re continuing a story that spans continents, centuries and cultures.

Hopefully without the arsenic.

Which is exactly why it remains one of the most fascinating elements of interior history.

Warding Off Evil in 16th Century Godalming

Fri, 06 Feb 2026 13:18:16 GMT

A Tudor Townhouse in the Historic Heart: 3 Church Street

A House Dated to the Last Year of Queen Mary's Reign

No. 3 Church Street was built in 1557, the final year of Queen Mary Tudor’s reign. This precise date was established through dendrochronological analysis carried out by the Surrey Archaeological Society in November 2006. The building is therefore over 460 years old, making it one of the earliest surviving townhouses in Godalming.

The house is a traditional three-bay, narrow oak-framed townhouse, rising to three storeys with a brick cellar beneath. The design reflects the value of street frontage in a busy Tudor town, building upwards rather than outwards. The building was clearly built by or for a relatively wealthy merchant or shopkeeper. It is likely that the front ground floor of the shop would have opened up onto the street front, with a kitchen at the rear. Family living accommodation would have been on the first and second floors, probably with children, or maybe even a servant in the attic space.

Architectural Character & Craftsmanship

Early Chimneys & Internal Layout

Life in Church Street

By the early 20th century, No. 3 Church Street continued to function as a family home. The 1911 census records Thomas Russell Borer, a widowed auctioneer’s clerk, aged 72, living there with his daughter Lilian and six-year-old grandson, Archibald Robert Pamment. The house contained seven rooms, and Lilian Borer remained there until at least 1939.

Next door, No. 5 Church Street, known in 1921 as Temperance House, Gwendoline Emily Jane Marshall, a self-employed confectioner, lived alone and ran a business providing luncheons and teas, notably without alcohol, offering a glimpse into the quieter, respectable commercial life of the street in the early 20th century, despite the road containing several public houses including The Cornmeter (closed 1956), The Star (still open), and The Skinners Arms (closed 1957).

No. 3 Church Street is Grade II listed, recognised as a late 16th-century or early 17th-century building of special interest. Its double-jettied façade, exposed oak frame and decorative detailing make it not just an architectural treasure, but a tangible link to Godalming’s Tudor prosperity and evolving town life.

For anyone interested in historic buildings, craftsmanship or the layered stories of Surrey’s market towns, this modest yet extraordinary building, is a reminder that some of the most important heritage assets are found not in grand estates, but woven quietly into the everyday streetscape.

Today, No.3 Church Street is home to award-winning chartered architects Nye Saunders .

What is a Hundred?

A Hundred was an early administrative division used in England from the medieval period. Each county was divided into Hundreds, which were responsible for local justice, taxation and order.

Every Hundred had a hundred court, where matters such as land disputes, minor offences and local governance were dealt with. These courts usually met in a prominent public building known as a Hundred House, often positioned beside the market place.

The name Hundred may refer to an area able to supply one hundred fighting men, or to a district made up of one hundred hides of land, enough to support one hundred households.

In Godalming, the building later known as the Pepperpot replaced an earlier market house and served as the Hundred House, marking this spot as the historic civic heart of the town. Its position opposite 3 Church Street reinforces the importance of this part of Church Street during the Tudor period, and demonstrates how towns like Godalming developed their street patterns and hierarchy.

Want to Know About the History of your Building?

Drop us a line to tell us about your building. We love investigating how buildings developed and who lived in them. These stories help to not only connect us to the past, but understand the relevance of structures so we can design for the future.

Why Heritage Matters

Mon, 02 Feb 2026 14:05:13 GMT

Why Understanding Heritage Properties Helps Shape Better Interiors

Meeting the experts

What This Means For Clients

Ultimately, attending industry events like this isn’t about ticking a professional development box. It’s about ensuring that every project benefits from up-to-date knowledge, well-informed design decisions and a network of trusted specialists.

Whether restoring the character of a historic property or adapting it for modern living, my role is to guide clients through complex decisions with clarity and care, respecting the building’s past while ensuring it works beautifully for the present.

Heritage interiors demand more than surface-level design. They require understanding, patience and ongoing engagement with the wider conservation world. Staying connected allows me to bring that depth of expertise to every home I work on.

History at Home: Every building has a story

Some are obvious. Others are hidden in deeds, maps, archives and forgotten details.

History at Home is our research-led service that uncovers the people, past and evolution of your property, transforming historical insight into narrative-led interior design.

By understanding how a house was built, who lived there and why spaces evolved, we can make more meaningful design decisions, from layout and flow to colour, materials and detailing. It’s an approach that feels particularly powerful in period and listed properties, where history and architecture are inseparable.

This isn’t about recreating the past.

It’s about respecting it, interpreting it, and allowing it to inform an interior that feels authentic, layered and deeply connected to place.

Interested in discovering your home’s story?
Get in touch to find out more about History at Home and how it can shape a truly bespoke heritage interior.

Marie Antoinette Style at the V&A

Wed, 21 Jan 2026 16:46:56 GMT

What Fashion, Interiors and Timeless Design Can Teach Us

A Queen of Style

Marie Antoinette wasn’t simply a queen. She was arguably history’s earliest style influencer. From her arrival in France as a young Austrian archduchess to her reign at Versailles, her choices in dress, decoration and presentation both reflected and shaped the cultural currents of her day. The V&A exhibition brings together over 250 objects, including rare personal items (such as her silk slippers and jewels), period works and contemporary reinterpretations, revealing just how intertwined fashion and interiors were in the late eighteenth century.

Her fashion was more than flamboyant costume: it was a form of communication. The silks, pastel hues, delicate embroideries and architectural gowns that defined her wardrobe mirrored broader aesthetic principles of her age, principles that would also inform decorative schemes, furniture design and taste in the decorative arts across Europe.

Design Beyond the Dress

What makes this exhibition especially compelling for lovers of interiors and heritage spaces is how it illustrates style as a holistic idea. Marie Antoinette’s aesthetic wasn’t limited to clothing: it extended into environments.

At Versailles’ Petit Trianon, her private retreat, she surrounded herself with softer, lighter interiors that contrasted with the formality of the grand palace. Pastel walls, delicate textiles, intimate furnishings and a playful flirtation with rustic motifs in the queen’s Hameau (a model farm) all demonstrate an approach to space that feels remarkably modern in its pursuit of comfort, personality and narrative.

This immersive connection between dress and setting echoes through the V&A’s galleries: rooms are curated so that textiles, decorative objects and historical imagery converse with fashion pieces, revealing how atmosphere and adornment together shape experience.

From Rococo to Runway

What it Offers us Today

For those of us passionate about heritage homes and thoughtful design, Marie Antoinette Style offers more than spectacle. It encourages us to think about:

Aesthetic narratives : how a coherent visual language across dress, objects and space creates emotional resonance.
Historical continuity : how past ideas influence present taste and how we incorporate them in contemporary homes.
Storytelling through design : how interiors, like a wardrobe, can express identity, mood and cultural context.

In this way, the exhibition invites us to see fashion and interiors not as separate worlds but as parallel lenses through which we experience beauty, identity and history.

Why Your House Has a Story to Tell

Tue, 16 Dec 2025 17:06:55 GMT

And Why It Matters More Than You Think

When we think about our homes, we often focus on how they look now: the layout, the colours, the finishes. But for older and period properties, what lies beneath the surface is just as important.

Every historic house carries layers of stories: of people, land, work and change. Understanding those stories can fundamentally change how we experience and care for our homes.

This belief sits at the heart of History at Home , a bespoke historical research service created for homeowners who want to understand not just where they live, but what their home has lived through.

A House Is Never Just a House

Take Old Birtley, a Grade II listed home set within the Surrey Hills. At first glance, it is a characterful historic property. But its story reaches back more than 400 years, from a modest 16th-century timber-framed labourer’s cottage, through centuries of agricultural life, estate ownership and modern conservation.

Research into historic maps, census records and planning archives reveals a home shaped by working families, changing land ownership and the rise and fall of great estates. Its walls have sheltered cowmen, farm labourers and young families. Today, its careful custodians have to navigate the complexities of listed building consent and landscape protection.

Understanding this evolution doesn’t just satisfy curiosity. It adds depth, context and meaning to how you protect the building, and how you design the interiors.

Why Historical Research Changes How You Design

When you know how a house was originally built, how it grew and what remains intact, design decisions become clearer and more confident. Original timber frames, early fireplaces, changes in naming and layout are all clues that help inform what should be preserved, what can be adapted and how new interventions can sit comfortably alongside the old.

For homeowners planning renovations or redecorations, this knowledge is invaluable. It supports sensitive design choices, strengthens planning applications and ensures that modern living enhances, rather than erases, a home’s character.

One of the most powerful outcomes of History at Home is the emotional connection it creates. Knowing the names of former occupants, understanding how they lived and worked, and seeing your home appear on centuries-old maps fosters a sense of stewardship rather than ownership alone.

Old Birtley’s story, for example, reflects wider social history: tied cottages, agricultural labour, estate life and the realities of rural work. These human stories bring warmth and perspective to the building itself, reminding us that homes are lived-in places, shaped by ordinary lives over extraordinary lengths of time.

What is History at Home?

History at Home a research service, which investigates the history of your house and its setting. Drawing on maps, census data, land records and local archives, it traces how your property and its landscape have evolved.

Each piece of research is tailored to the home itself, creating a lasting document that can be kept, shared, framed or passed on to future custodians. For owners of period and heritage properties, it becomes part of the house’s story, and part of its future.

For many clients, History at Home becomes the foundation for wider design work. It informs colour choices, materials, layouts and architectural decisions, ensuring that every change feels grounded and considered.

If you live in an older property and want to understand it more deeply, whether you’re planning a renovation or simply curious about its past, this is a meaningful place to begin. Because when you understand your home’s story, you design with confidence, respect and purpose.

The Perfect Gift

We offer personalised gift vouchers for History at Home services , making it the perfect house-warming or anniversary gift.

Voysey’s hidden Arts & Crafts masterpiece

Tue, 16 Dec 2025 16:20:20 GMT

Norney Grange

Today, Norney Grange is owned by Charlotte Lockhart and Andrew Barnes, who purchased the property in 2022 after spotting it in Country Life. The couple were already well-acquainted with the Arts and Crafts period, having restored a Lutyens house in 2018. Their passion for this era is rooted not just in aesthetics, but in the movement’s underlying philosophy.

“We both really like the period because it reflects a time when the world was in flux and starting to become very fast-paced,” says Charlotte. “The movement is about slowing things down again and valuing beauty, craftsmanship and the preservation of skills.”

Voysey’s Signature Touches

Voysey’s architectural language is immediately recognisable: soft white walls, simple rooflines and a mastery of proportion that feels at once humble and assured. Yet at Norney Grange, he allows himself moments of playfulness: his own profile appears in the house’s bell struts and sundial, a quiet signature left for those who look closely.

Inside, Voysey’s material palette of pine and oak feels timeless. The interiors, like the architecture itself, are calm and considered, spaces designed for comfort rather than display. Some features have changed over the years - the drawing room fireplace, for example, is not original - yet the spirit of Voysey’s design remains intact.

Voysey’s approach to design was evolutionary and holistic. From the window handles to the built-in cabinetry, from the air vents to the down pipes, every detail was designed to fit a specific set of circumstances.

The entrance hall at Norney Grange is a centrepiece of his design approach. This double-height hall is surrounded by Austrian oak panelling, with a balustrade of closely spaced stick balusters. The landing offers “breathing” curves, presenting an opportunity to peer down on the entrance hall, or out through the circular window over the front door.

Layers of History

The house has passed through only five owners since it was built.

It was originally designed for Reverend William Leighton Grane, using land from Lord Middleton at the nearby Peperharow estate. Although Lutyens helped Rev. Crane to buy the land, it was Voysey he chose to design the house.

The lodge house, near the church, was the first building created, and Voysey stayed here for a time, while the house was being built.

Not a rich man, Rev Grane was unable to finish the project and it was sold to James and Emma Wainwright. James, a governor, almoner and treasurer of St Thomas’s Hospital, London, had been bought up locally at Hoe Place, Woking. The couple raised eight children at Norney Grange and remained in residence until 1929.

Later owners each left their subtle mark, but unlike many houses of its age, Norney Grange was never heavily modernised, perhaps one reason why its atmosphere remains so authentic. The stables, added in 1914, and later gardens have all evolved with care. The pond, for instance, dates from the 1930s, while the recently made hand-thrown chimney pots are faithful replacements for the originals, which had been replaced in the 1970s.

However, not everyone saw the beauty. In The Buildings of England, Surrey, Iain Nairn and Nikolaus Pevsner (1971) are somewhat unkind in their description of the house: “Voysey is here almost making cliches out of his own style, particularly in the entrance front with the ugly doorway and asymmetrically battered gable wings.”

A Living Landscape

Gardens are an essential part of the story. Having previously restored a six-acre garden at Fig Tree Court, in Tilford, Charlotte and Andrew now face the challenge and joy of nurturing 21 acres at Norney Grange.

Without historic plans to follow, they rely on instinct and inspiration:

“We use a principle called, ‘What would Gertrude do?’” says Charlotte, referring to celebrated garden designer Gertrude Jekyll. “Voysey, Lutyens and Jekyll were at the forefront of design in their time. If they were alive today, they’d still be developing their ideas. Jekyll would be breeding plants for a warmer, drier climate, while Voysey and Lutyens would be creating cooler, more environmentally friendly homes for modern living.”

It’s a philosophy that perfectly bridges past and present, honouring history while allowing design to evolve.

As restoration continues, Charlotte and Andrew’s approach is refreshingly unpretentious. “We paint everything white until we decide what to do,” they explain, a method that allows them to live with the building and let it reveal its needs over time.

The result is a house that feels loved, not curated. A place where Voysey’s ideals of simplicity, honesty and joy in craft continue to resonate over a century later.

Notes

Architect: C.F.A. Voysey (1895–1898)
Listing: Grade II* (1987)
Notable features: Voysey profile motifs, hand-thrown chimney pots, 21-acre garden
Fun fact: Norney Grange has been featured in the TV series Midsomer Murders, Miss Marple: Nemesis and London Spy, as well as the films Carrington, The Dig, The Darkest Hour and Wimbledon.

Every Building Tells a Story

Tue, 09 Dec 2025 14:03:08 GMT

Introducing History at Home

Why Your Home's Story Matters

We often fall in love with period properties because of their quirks, character and quiet sense of nostalgia. But those qualities aren’t accidental. They’re the result of decades (or centuries) of change, craftsmanship and human experience.

Understanding that story can:

Reveal layers of personality
Perhaps your Victorian terrace was once a baker’s house, or your Georgian cottage was part of a larger estate. These details influence everything from colour palettes to materials and built-in joinery.

Strengthen your connection to the space
When you learn who lived there - families, tradespeople, craftsmen - you begin to see your home as part of a long continuum rather than a standalone structure.

Guide thoughtful renovation decisions
By understanding original layouts, lost features or historical materials, you can make choices that respect your home’s roots while still creating something beautifully suited to modern living.

Bring clarity to your interior design direction
When you design with the building’s narrative in mind, your choices stop feeling random. Instead, they’re aligned, intentional and inherently more timeless.

What is History at Home?

History at Home is a bespoke research service that uncovers the story of your property and distils it into an elegant, beautifully designed keepsake. It explores:

The architectural origins of your home
How it has changed over time
Records, maps and documents that reveal its development
The people who have lived, worked or built there
The era-specific influences that shaped the property

Once complete, you’ll receive professionally written, narrative-driven content presented in a refined layout that reflects the period and character of your building. It’s both informative and deeply personal, something you’ll want to keep, display or share.

The Perfect First Step Before Renovation

Alongside being a standalone piece of history, History at Home also acts as a powerful foundation for narrative design.

Narrative design is the practice of creating interiors that tell a story, one that connects the home’s past with the way you want to live now.

Your research report may highlight architectural details worth celebrating, colours historically linked to your home’s era or clues about how the original inhabitants used each room. It can influence:

Room layouts
Colour schemes
Material choices
Joinery details
Styling direction
Lighting and decorative features

Instead of designing from a blank slate, you design from a place of knowledge, context and meaning. For homeowners who want their renovation to be authentic, thoughtful and rooted in something deeper, this is a transformative starting point.

Who is History At Home For?

This service is ideal for homeowners who:

Love period or characterful properties
Are planning a renovation or redecoration
Want to restore original features
Feel a sentimental connection to their home
Appreciate craftsmanship and heritage
Want their interiors to feel intentional, not generic

You don’t need to live in a grand house or a listed building. Every home, large or small, has a past worth exploring.

A Beautiful Way to Honour Your Home

History at Home isn’t just research. It’s a way of grounding yourself in the story of the place you choose to live. It’s a celebration of the people who came before you, the architecture that has stood the test of time, and the sense of belonging that comes from truly understanding your surroundings.

And when used as part of your interior design journey, it allows you to create a home that feels both personal and connected, rich with meaning, anchored in history and beautifully suited to modern life.

If you’re ready to uncover the story of your home, I’d love to help you begin.

Deck the Halls Naturally

Thu, 20 Nov 2025 11:58:12 GMT

Christmas Decorating with Nature and Colour

Go Foraging for Festive Foliage

Wrap up warm, grab your wellies and take a stroll through your local woodland. Nature’s Christmas decorations are everywhere:

Evergreens: Holly, ivy, and pine branches are classics. Use them to create garlands, wreaths or table centrepieces.
Berries: Red holly berries or rose hips add pops of festive colour. Just make sure they're out of reach if you’ve got curious little ones or pets.
Pinecones: Scatter them across your mantlepiece.
Twigs and Branches: Arrange bare branches in a vase for a minimalist Scandi vibe, or drape them with fairy lights for extra sparkle.

Pro Tip: Foraged greenery can dry out quickly indoors, so consider misting it lightly with water or using florist foam to keep it fresh.

Please only take what you need, and don’t stray on private land.

Play with a Natural Colour Palette

Nature provides the perfect inspiration for your Christmas colour scheme. Here are some ideas to try:

Classic Woodland: Pair deep greens with pops of red and earthy browns for a traditional and nostalgic feel.
Frosted Forest: Blend silvery whites with icy blues and soft greys for a wintry, sophisticated look.
Golden Glow: Use warm golds, bronzes and creams to create a cosy, candlelit atmosphere.

Colour psychology tip: Greens evoke balance and harmony, while reds bring warmth and excitement. Combine the two for a cheerful vibe.

Craft Your Own Decorations

Put on your favourite Christmas playlist and get crafting! Homemade decorations not only look charming but also add a personal touch to your home. Here are some ideas:

Orange Slice Ornaments: Dry slices of orange in the oven, thread them with twine and hang them on your tree.
Cinnamon Stick Bundles: Tie cinnamon sticks together with a ribbon for a rustic decoration that smells divine.
Natural Wreaths: Weave together branches, berries and eucalyptus leaves to create a beautiful, aromatic wreath for your door.
Mini Forests: Fill glass jars with moss, twigs, and fairy lights to create enchanting woodland terrariums.

Our favourite: Mix it up by threading beads on to wire, weaving fabric through foliage or adding feathers to a centrepiece.

Bring the Outdoors In

Who says fairy lights are just for trees? Use them to illuminate your natural decorations:

Wind lights around pine branches in a vase for an eye-catching display.
Use battery-operated lights to illuminate your garlands and wreaths.
Add a strand of warm white lights to a bowl of pinecones for a simple yet elegant table centrepiece.

Pro tip: White light, which is cooler, is better used outdoors as it is reminiscent of snow and icicles. Warmer, cream/yellow light creates a cosy atmosphere indoors.

Incorporate Festive Scents

Christmas is as much about the smells as it is about the sights. Enhance your natural decorations with:

Fresh Herbs: Rosemary sprigs look beautiful and smell amazing when tied to napkin rings or tucked into wreaths.
Scented Candles: Choose fragrances like fir, cinnamon or spiced orange for an extra festive feel.
Clove-Studded Oranges: Not only do they smell incredible, but they also make for a stunning, old-fashioned decoration.

Did you know: Because scent signals travel directly from the olfactory bulb to the brain’s emotion and memory centres, smells can trigger vivid memories and strong emotions almost instantly.

Create Cosy Colour Zones

Use colour to create distinct zones in your home:

The Sitting Room: Opt for warm, rich tones like burgundy and gold to create a space perfect for sipping mulled wine.
The Dining Room: Stick to a cohesive, understated palette, perhaps silvers and whites, to allow your table settings to shine.
The Entrance Hall: Make a bold first impression with a statement wreath and bright, cheerful hues like red and green.

Decorating your home for Christmas with nature and colour is not only sustainable but also endlessly customisable, and fun. Whether you prefer a traditional look or something a bit more contemporary, incorporating natural elements allows you to create a festive atmosphere that feels personal and unique.

So, grab your wellies and your crafting supplies, and let nature inspire you.

At Home by Design specialises in creating interiors that balance timeless charm with modern sensibilities. For more decorating inspiration, contact us today.

Opposites attract: Coleton Fishacre

Thu, 06 Nov 2025 16:21:53 GMT

Marrying Arts and Crafts design with Art Deco glamour

How it all started

Rupert and Dorothy D’Oyly Carte spotted the cliff top plot when sailing along the south Devon Coast. With work based in London, they were looking for a rural retreat. Rupert was the son of Richard D’oyly Carte, famous for discovering the musical talents of Gilbert and Sullivan, building two London theatres and creating an hotel portfolio, which included the Savoy Hotel and Claridge’s in London.

The couple had two children, Bridget and Michael, and enjoyed the sanctuary of Coleton Fishacre until 1932, when Michael was killed in a car accident in Switzerland, aged 21. Grief undermined the marriage and the couple separated in 1936.

Details to look out for

The Art Deco ethos is also evident throughout the building. The library and sitting rooms are intimate and modestly proportioned, but step down the theatre-inspired steps to the saloon and you feel as if a performance is about to begin. Although dramatic, the steps are practical, dealing with the challenge of changing floor levels created by building on a hillside.

The room’s windows offer generous views of the garden towards the sea, and the walls are left plain to ensure attention isn’t detracted from the bucolic pictures created. The room is impressive in size, but the interior design is still pared back.

The one nod to art in its traditional form is the cream carpet, with its large-scale pattern, created specifically for this room. Marion Dorn, originally from San Fransico, was a leading freelance textile designer of the time, and Rupert D’Oyly Carte commissioned her to design carpets for his hotels. Her signature appears on her rugs, woven into the design.

An Arts and Crafts house is often not complete without a designed garden, which is seen as a continuation of the building. Coleton Fishacre boasts terraces of exotic plants from temperate climes, some sourced from holidays in Crete and Madeira. The Rill Garden was designed by Oswald Milne with quarried stone, streams and pools.

Fashionable styles in balance

A century on, Coleton Fishacre still feels modern because it celebrates contrast - texture against polish, tradition beside innovation. It’s a reminder that great design tells a story, and that even the most unexpected pairings can create timeless harmony.

If you’re drawn to a balance of heritage and glamour, perhaps it’s time to explore how these principles could shape your own space.

A Visit to Castle Drogo

Mon, 03 Nov 2025 15:55:47 GMT

Lessons from England’s Last Castle

Lutyens’ challenge was to balance that vision with practicality, and it’s in that tension that the building’s genius lies. The result is a home that feels both ancient and modern: granite walls, deep recessed windows and battlement. But inside, the rooms are surprisingly intimate and comfortable. And that’s part of the Lutyen’s effect. His eye for detail meant that whether it was window catches or fitted furniture, every detail was considered and designed for a specific situation.

What heritage homes can teach us

1. The importance of context

Lutyens designed Castle Drogo to sit in the landscape, not just on it. The granite came from nearby quarries, echoing the cliffs and tors of Dartmoor itself. In heritage design, that sense of belonging is key. Materials and proportions should always relate to their setting if a building is going to excel. Even in contemporary renovations, thinking about context brings authenticity and longevity.

2. Craftsmanship as character

Every stone at Drogo was hand-finished. There’s a tactility to the place. You can see and feel the craftsmanship in the walls, joinery and metalwork. It’s a reminder that real beauty often lies in what’s made slowly and skilfully. Castle Drogo demonstrations that traditional techniques give a space soul and quality, something that can’t be replicated with mass-produced materials.

3. The value of thoughtful modernisation

Castle Drogo has undergone major restoration in recent years to address structural issues and improve sustainability. It’s proof that heritage and modern living don’t have to be at odds. Sensitive upgrades, from better insulation to concealed lighting or smart heating systems, can enhance comfort without compromising character. The goal is always to respect what’s there while making it fit for the future.

A listing impression

What I took away most from my visit was a renewed appreciation for design that endures. Castle Drogo isn’t just a relic of another age; it’s a masterclass in how to blend vision with restraint, tradition with innovation.

For anyone living in, or dreaming of restoring, a heritage home, it’s a reminder that great design isn’t about chasing trends. It’s about creating something that belongs: to its setting, to its materials, and to the lives lived within it.

Some highlights to look out for

Le Char de Triomphe Tapestry

Designed by Charles Le Brun, court painter to King Louis XIV, this tapestry was one of series that hung over doors in French palaces. Only a few survive today, and the one of Castle Drogo is thought to be the only one of display. It was woven in 1692 and took six weavers four years to complete.

Is the client always right?

Julius Drewe was determined to have a flat roof on the castle, so he could entertain guests and look over the parapet. With the damp Dartmoor weather working against them, Lutyens advised against this. Determined to have his vision realised, Drewe pushed ahead with a flat roof, which began leaking in 1913, before the building was even completed. Although Castle Drogo’s design was driven by technology, technology had not advanced enough to make the building watertight. Repair work was eventually started in 2007, with the help external funding, and the building became watertight for the first time in nearly one hundred years.

All the mod cons

Drewe had a love of gadgets and technology, and Castle Drogo exhibits the very best mod cons of the era. From electricity generated by a turbine in the valley and an integral vacuuming system, to a telephone exchange and a passenger lift, the castle has it all. One of the most intriguing gadgets is the use of electric light, instead of candles, on the dining table. They were powered by connecting with an electric tablecloth. Julius's daughter Frances remembered that her father was very proud of it. It worked well – until a glass of wine was spilt - causing "a brief panic in case the moisture short-circuited the cloth and blew the fuses".

Through the Keyhole

Thu, 23 Oct 2025 11:43:37 GMT

The Russell-Cotes Museum - the ultimate gift

The house, which was originally called East Cliff Hall, was built in 1897 and substantially completed in 1901, making it one of the last year houses of the Victorian period. Merton presented it to Annie as a gift on her 66th birthday.
As an interior designer of period properties, that “terminal” Victorian moment is fascinating: it means the house is steeped in the craftsmanship and decorative richness of the 19th century, yet just on the cusp of the Edwardian and 20th-century sensibilities. This duality gives it a unique atmosphere.

From 1907, until Merton and Annie died in the early 1920s, the house was open to visitors one day a month. In 1922, it was opened as a museum and gallery full-time.

A bespoke creation, not a standard model

What stands out is that the house was purpose-built, not a generic suburban villa. The client and his wife were very much involved in the design: the architect was John Frederick Fogerty but Merton and Annie had a great deal of input into the design.

In other words, this was a vision home, a kind of live-in gallery of their tastes and travels. That makes it a particularly rich case study for bespoke heritage interiors. The house was intended both to impress and to serve as a home.

One of the things I love about this house is its layering of styles and the way it reflects the wider world. On one hand it has Renaissance/old Scottish baronial ambitions, as Merton himself noted: “I made up my mind to construct it architecturally to combine the Renaissance with Italian and old Scottish baronial style.”

Yet it also includes Moorish, Japanese and French decorative touches. For example, the Moorish Alcove is directly inspired by a visit to the Alhambra in Granada in 1910.

This eclecticism is exactly the kind of thing that appeals to me in heritage homes: the layering of time, travel, taste and personal stories, much more interesting than a pure stylistic “look”.

Interiors as a gallery and a home

What makes the Russell-Cotes house unusual is the way that the interior is both a home and a gallery. Merton and Annie travelled widely (to Australasia, America, India, Japan, Egypt, the Pacific) and amassed a collection of art, sculpture, decorative objects and ethnographic material.

Their collection was displayed within their home as much as it was used by them. Thus the fabric of the interiors, the ornate staircase, the main hall, the drawing-room, the boudoir, the conservatory, are all part of the experience of dwelling and living with a collection. In that sense it is a wonderful precedent for modern clients who live with their art and personal pieces, not just display them in a separate room.

Turning to specifics: from a colour and materials viewpoint the house is rich. The Main Hall has plush carpeting, a feature staircase, pillars of scagliola (a plaster technique imitating marble) and intricate coving with birds and plants.
In the Drawing Room, the unifying theme of delicate, gilded items, decorative fretwork screens, stained glass and historic furniture reflects the Aesthetic Movement’s passion for beauty for its own sake.

These layers of craft, material and detail are striking. They show how to move beyond wallpaper + paint + furniture and towards immersive, layered interiors.

Another aspect that makes the house stand out is its location and how the architecture exploits the setting. The villa sits on the East Cliff, overlooking the sea on the south coast.

The views, the light and the siting all matter. In the Russell-Cotes house you can see that the bow-windows, the conservatory, the terraces and the view of the sea all form part of the design.

And the house was conceived for entertaining and display: it is staged. Period property owners don’t often want to feel as if they are living in a museum, but here the original owners were comfortable with that notion and embraced it.

Why this matters for our heritage-home clients

Here are some key take-aways that highlight why buildings such as the Russell-Cotes serve as brilliant sources of creative to feed into our designs:

Authenticity of story : The house’s story (built as a gift, travel-inspired interiors, conversion to museum) is part of its charm. For clients, telling the story of their heritage home adds depth to the design brief.

Layered material and craft : Many period houses have lost detailing. Restoring or re-interpreting original craft (like the fretwork screens, scagliola, decorative coving) gives a heritage project texture and authenticity.

Colour as experience : The Russell-Cotes interiors are not neutral. They embrace rich colour and ornament.

Collection + living : Many homeowners have art, travelabilia, pieces with story. Integrating them seamlessly into the interior rather than making them an afterthought elevates a design.

Setting & heritage context : The house takes full advantage of its sea-view and cliff-top setting. When working in Surrey, Sussex or Hampshire with period houses, we love to emphasise the site, the original architectural intent and the period context.

Staging for the era : Although built at the cusp of Edwardian age, the house retains its late-Victorian “wow” factor (grand hall, main staircase, formal rooms). Ensuring that rooms are staged and designed for the era matters. Designing for clients today, we’re not talking about copying a pastiche of “Victorian style” without authenticity, but creating something that reflects how clients live their lives today.

A Living Lesson in Design

The Russell-Cotes is more than a beautifully preserved period house. It’s a living lesson in how architecture, craftsmanship and personality can combine to tell a story. Standing within its rooms, you can almost feel that turn-of-the-century shift: Victorian opulence meeting the optimism of a new era.

As a designer drawn to heritage homes and colour-rich interiors, I find this house endlessly inspiring. It reminds me that every project begins with a story: of place, of people, of evolving taste, and that great design lies in translating that story into a home that feels layered, authentic and alive.

This is what we strive to do for our clients: create homes that celebrate their period character while embracing the individuality of the people who live there. The Russell-Cotes is proof that when architecture, art and personal narrative align, the result isn’t just decoration - it’s legacy.

If you're feeling inspired and wish to find out more about narrative design, and tell the story of your property, we'd love to hear from you.

May Morris and the Arts & Crafts Movement

Mon, 29 Sep 2025 15:17:31 GMT

Craft, Advocacy & Legacy

At just 23, May was appointed Manageress of the Embroidery Department at Morris & Co. in 1885, an extraordinary achievement in a movement largely dominated by men. Her responsibilities included overseeing design, coordinating embroidered work, supervising workers, liaising with clients and pricing commissions. Many of her designs were, however, historically misattributed to her father or to the house style, a common issue for women in collaborative or workshop settings.

Her embroidery style is notable for its balance between naturalism and stylisation: floral motifs, organic lines and a restrained palette. She authored “Decorative Needlework” in 1893, a treatise that aimed to elevate embroidery from a domestic pastime to an art form, arguing for expressive design rather than frivolous ornament.

After her father’s death in 1896, May relinquished day-to-day management of the embroidery studio, shifting her energies to her own design work, teaching, lectures and historic scholarship.

Personal Life

May’s married political activist Henry Halliday Spalding, but their marriage only lasted four years. She was involved in a chaotic affair with playwright George Bernard Shaw. By 1898, May had secured a divorce and ended her affair. She resumed using her maiden name and never remarried or had children.

In the late 1910s, May developed a close relationship with Mary Lobb, a gardener at Kelmscott Manor, the Morris family's Cotswold home. In her will, she left Mary more than £12,000 (almost £1 million today) and the lifetime tenure of Kelmscott Manor.

Advocacy, Gender & Institutions

One of the most striking aspects of May’s legacy is her advocacy for women in design. The dominant guilds and art societies in Victorian and Edwardian Britain typically excluded women. The Art Workers’ Guild, for instance, did not admit women until the 1960s. Recognising this barrier, in 1907 May co-founded the Women’s Guild of Arts, together with Mary Elizabeth Turner, serving as its first president.

The Women’s Guild offered women artists, craftswomen, designers and makers an alternative professional network, opportunities for exhibitions, critique and mutual support. Its membership included names like Mary Annie Sloane (Honorary Secretary), Agnes Garrett and Mabel Esplin.

May also used her voice more broadly: in lectures, publications and correspondence she critiqued undervaluation of women’s handcraft, and argued for fair wages, respect for materials and technique, and the dignity of labour.

Legacy, Re-evaluation & Relevance Today

Sadly, despite all May had accomplished, her obituary in The Times initially described her as “daughter of William Morris, the poet”. Five sentences later it outlined her own achievements.

For homeowners of heritage properties, May’s story is so much more. Her design legacy is a reminder of the values that shaped the Arts & Crafts movement itself: authenticity, craftsmanship and a respect for the individuality of the home.

Just as she elevated embroidery beyond decoration into something meaningful and expressive, so too can today’s homeowners look beyond surface choices to create interiors that honour the spirit of their property.

Whether that means celebrating original features, commissioning bespoke craftsmanship or weaving personal stories into a scheme, May’s philosophy encourages us to see heritage homes not as static relics, but as living spaces enriched by artistry and care.

As an artist, May Morris is increasingly recognised not merely as William Morris’s daughter, but in her own right, as a designer, thinker, educator and feminist pioneer.

Her designs are sought after in museum collections and the art market. Her life offers timely lessons on authorship, the value of craft, gender equity in design and how women have always been makers, not merely muses.

For contemporary designers and heritage practitioners, May’s example reminds us that design is not just about objects, it’s about agency, voice, community and vision. In a world looking increasingly to balance technology, style and sustainability, the combination of craft, conscience and expressive design that she embodied feels more relevant than ever.

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Photos: These images were taken at a temporary exhibition at the Russell-Cotes Museum, Bournemouth, on loan from the William Morris Society.

How AI is Revolutionising Interior Design

Mon, 29 Sep 2025 13:19:11 GMT

Does the Human Touch Still Matter?

AI also opens up possibilities for early-stage exploration. Want to see how a bold colour might transform a space before committing? Or get a sense of scale and proportion before a single piece of furniture is ordered? AI tools can provide those glimpses quickly and effectively.

Efficiency vs Empathy

But while AI can speed things up, it can’t replace what makes a home personal. Good interior design isn’t about producing endless variations of “nice” rooms. It’s about uncovering what will truly resonate with the people who live there. That requires empathy, active listening and a sensitivity to personal histories, habits and aspirations.

A machine might generate a scheme, but it won’t know that a client treasures a faded armchair inherited from their grandmother, or that a certain colour holds childhood memories. These are the details that transform a design from functional to deeply meaningful.

Originality and Storytelling

AI works by learning from what already exists. It can remix, refine and suggest, but its strength lies in recombination, not originality. Human creativity, by contrast, can leap into the unexpected, drawing inspiration from culture, travel, art or simply a client’s unique story. That’s where truly original interiors are born.

The Human Touch and Scale of Projects

The larger the project budget, the more crucial the human element becomes. When a designer’s fee represents only a small fraction of the overall cost, the value lies not just in efficiency but in judgement, vision and the ability to coordinate complexity. The human touch ensures that details are not only correct on paper but also feel right in reality.

For time-poor clients, this expertise is invaluable. AI can generate options, but it won’t liaise with trades, anticipate logistical challenges or calmly resolve issues on site. Those human skills remain irreplaceable.

More Than Sight Alone

Finally, homes are multi-sensory. They’re not just about how things look . Textures, acoustics, scents, and even the way a space feels emotionally when you walk through the door, are elements that AI cannot replicate. Designers curate these subtleties, weaving together senses and stories into spaces that feel alive.

So, What Does the Future Look Like?

AI is undoubtedly a powerful tool. It will continue to change the way interior designers work, making processes smoother and more efficient. But rather than replacing designers, it enhances what we can offer to clients. The human side of design, the empathy, memory, imagination and connection, will always remain at the heart of creating homes that feel authentic.

For clients, this means the best of both worlds: the efficiency and innovation of AI, combined with the depth, care and originality of human expertise.

Note: The image in this post was generated by AI.

Breathing Life Back into Chinthurst Hill

Mon, 15 Sep 2025 16:31:58 GMT

A Conversation With Anna Hunter

The house, perched above the village of Wonersh in the Surrey Hills, was originally designed and built between 1893 and 1895 for Aemilia “Maggie” Margaret Guthrie, the daughter of Ellinor Arbuthnot. At the time, Maggie was completing her medical studies, preparing to qualify as a GP and then as a surgeon.

However, she didn’t live in the house long, moving to Scotland after marrying Ninian Elliott, from an estate on the Isle of Mull. In 1897, the house was sold to Lord Rendel of Hatchlands Park, who purchased it for his widowed daughter, Rose, and her young son, future architect Harry Stuart Goodhart‑Rendel.

Lutyens’ biographer, Christopher Hussey, described the house as resembling a medieval manor house altered in Elizabethan times, a view echoed by Lutyens’ bold experimentation in materials and vertical structure. The house was built of Bargate stone quarried from the hillside below. Care was taken to graduate the size of stone block, from large at the base to small at the roof, to accentuate the imposing vertiginous nature of the building. With its oak-panelled ceiling, flamboyant Gothic traceried windows, sculptured stone corbels and a grand inglenook fireplace, it’s hard to believe that this was Lutyens’ first major commission.,

A New Chapter

When I spoke to Anna, her love of the building was immediately clear. “I always felt Chinthurst Hill was a happy house,” she said. “It deserved to be whole again, and to be loved. I just wanted to do the building proud.”

And she did.

Anna is no stranger to the quiet determination needed for sensitive restoration. A long-time admirer of the Arts and Crafts movement, she was drawn to Chinthurst Hill’s craftsmanship and honest materials, Lutyens’ hallmarks. She said: “It was all there beneath the surface, the bones of the house were beautiful. It just needed care, and a lot of patience.”

That patience was tested from the start. Anna began gently removing years of dirt while preserving the patina of age. Floors were renovated to their former glory. Where original plaster mouldings had been lost, they were painstakingly recreated, referencing archive photographs and Lutyens’ drawings.

“I didn’t want to put a modern gloss on it,” Anna explained. “It had to feel as if it had always been that way.”

The result is a triumph, which hasn’t gone unnoticed. With new owners and a new extension, Chinthurst Hill recently won awards for its architectural sensitivity and overall execution, including best design in an historic context, at the Surrey Heritage Awards 2025.

For Anna, the renovation of Chinthurst was something personal: the feeling that she was a custodian, not just a homeowner.

“The best compliment I ever had,” she told me, “was someone walking in and saying, ‘It’s as if this is how it always was.’ That meant everything to me.”

And while the restoration brought the house back to its former glory, it also needed to work as a modern family home. Anna managed this with a light touch, adding sympathetic updates that enhanced, rather than disrupted, the historic fabric. Rooms flow effortlessly, with generous proportions and elegant simplicity. “The light was incredible,” she said. “And the views! You could see for miles. Every window framed something beautiful.”

A Legacy in the Landscape

Before she moved on, Anna left one final gift to the land: a vineyard. “I wanted to give something back,” she said. “The soil and setting were perfect, and now it’s producing wine. That feels like such a lovely continuation of the story.”

As an interior design company, we often talk about the importance of a house reflecting its past, while offering comfort and joy in the present. Anna’s journey with Chinthurst Hill embodies that philosophy perfectly, a testament to what’s possible when vision, respect and heart come together.

This wasn’t just a renovatio n of materials. It was a restoration of identity. And a celebration of all that Lutyens, and the Arts and Crafts movement, stood for.

Anne Hunter is owner and director of art specialist Belgravia Gallery .

The Power of Colour Psychology in Interiors

Tue, 26 Aug 2025 12:23:47 GMT

How colour choices transform the way your interiors feel

Let’s jump forward a century, and the second person I want to introduce you to is Johann Wolfgang von Goethe, born in Frankfurt in 1749. His theory was that colour is subjective. People see different things based on their culture, emotions and personal experiences. He categorised colours into warm and cool tones, placing them deliberately on opposing sides of his colour wheel.

He studied their emotional and symbolic resonance. According to Goethe, yellow symbolises warmth and joy, blue conveys calmness (but can also feel cold or melancholic), orange sparks creativity and enthusiasm, while violet evokes mystery and luxury.

Why Colour Psychology Matters in Interiors

Homes are more than just walls and furniture. They are emotional canvases. The colours we choose shape mood, behaviour and even relationships. However, what feels invigorating to one person may be overwhelming to another. No sure where to start, here’s a basic run down of how and where to use colours:

Energy and sociability: Reds and oranges invigorate, perfect for dining rooms or creative zones.
Calm and repose: Blues, greens, muted earth tones foster serenity, ideal for bedrooms and bathrooms.
Warmth and connection: Yellows, terracottas and cosy neutrals embrace you, great for living areas.
Depth and elegance: Deep hues like navy or forest green offer sophistication and calm.

Facing Chromophobia: Embracing Colour

When selecting colours for our homes many of us retreat to safe neutrals. It’s not, necessarily, out of preference, but from an unconscious fear of colour. But to feel truly at home in your space, it’s worth exploring. Here’s how to start:

Begin with function and emotion: Consider how a room should feel. For rest, go cool; for creativity and connection, lean warm.
Use tone and symbolism with care: Warm tones like orange (creative, lively) or yellow (joyful) might suit a breakfast nook, while deep green or violet (mystical, introspective) may elevate a study.
Layer, don’t overwhelm: Not ready to paint every wall? Introduce accents, such as a lamp, rug or artwork to test how a colour affects mood before fully committing.
Be sensitive to light: Goethe noted the interplay between light and darkness shapes colour perception. A hue may feel chilly in low light, or brilliant when illuminated. And if you think white is the answer to lighten a dark room, you’ll only succeed in introducing a dull grey.
Make it personal: Psychology gives us a guide, but your gut response matters most. If a shade moves you, it belongs in your home.
Create a flow: You don’t need to introduce a different colour for each room. You want to create a palette that means rooms are connected and colours can flow from room to room.

Putting Theory into Practice

Visual relationships : Goethe’s colour wheel arranges warm and cool hues opposite each other, with complementary pairs “demanding” one another: yellow with violet, orange with blue. This suggests powerful visual and emotional interplay and can be liberating. A splash of orange in a blue room creates energy, while violet paired with yellow ignites luxurious contrast.

Symbolic depth: Goethe tied colours to qualities: red as the “beautiful”, orange “noble”, yellow “good”, green “useful”, blue “common”, violet “unnecessary”, inviting a more poetic and psychological approach to design. Imagine painting a creative studio in “noble” orange or a reading nook in “restful” blue. You’ve now moved your interiors on from aesthetics towards a narrative.

Final Thoughts

Colour psychology reminds us that interiors are emotional as much as visual. Whether you’re inspired by historic palettes or Goethe’s symbolic wheel, colour carries power. Let it softly or boldly shift how your spaces make you, and others, feel. This is what turns a house into a home and a soulless office into a creative space. Colour is so much more than making something “look good”!

If you’d like to learn more about colour psychology, I’d recommend reading Patrick Baty’s beautiful book The Anatomy of Colour , which traces the historical and emotional significance of pigments, showing that colour is never just decoration but deeply affects how a space feels.

I also love Anna Starmer’s Love Colour book, Hans Blomquist’s book In the Mood for Colour, and The Secret Lives of Colour by Kassia St Clair.

Inside The Regency House, Brighton

Mon, 30 Jun 2025 11:00:06 GMT

A Journey into Architectural Detail and Design History

Paint, Plaster & Preservation

One of the most fascinating aspects of the tour was the discussion of historical finishes and materials. Every detail of the exterior and interior decoration was governed by practicality, hierarchy and evolving technology. For instance:

The original external finish was Roman Cement, dark in tone, not painted, but lightened with mastic and eventually changed in the 1930s to the “custard and black” palette many now associate with the house.
Storm shutters, painted in Holland’s Antwerp Green, were necessary to protect delicate glazing from the harsh coastal weather. As glass technology advanced, and glass became tougher, these features became redundant. Early Georgian sash frames, for example, lacked the familiar “horns” seen later, used to support the weight of thicker glass.
Paint analysis, like core sampling and surface rubbing, is an important step to determine original colour schemes when restoring period homes authentically. Paints of the time were often lead-based, requiring redecoration every five or six years as oxidation, carbonisation and “blooming” altered their appearance over time.

The visit took a look at the world of historical colour theory. External colour schemes were rooted in earthy tones, echoing the natural world. This wasn’t just for aesthetic reasons, but based on emerging colour theory. Colour psychology was applied throughout the interiors, taking into account the function of a room. Did you know that colours used in dining rooms were often chosen to stimulate appetite and conversation?

We discussed the artistic liberties taken with finishes like wood graining, which didn’t always need to look realistic, just refined and stylised. This was as much about visual impact as it was about cost, depending on the status of the building’s rooms and its occupants.

Material & Making

The type of building materials used were also dictated by the geographic location of the building. Before the railways it was difficult to move materials around, and is the reason why you see a plethora of buildings using the same materials in one area, for example, flint and lime, or stone walls.

In Brighton, bungaroosh was used. This was a mixture of broken bricks, flints, stones, pebbles, sand, gravel and organic materials, all bound together with hydraulic lime. It was prone to dampness and salt damage, requiring careful maintenance and repair, so was rendered to give it some protection.

The interiors were equally layered:

Lathe and plaster internal walls, not masonry
Baltic wood was prized for its slow growth and density, reflecting that materials were not just about style trends but also economics, trade and regional availability
Mouldings made of everything from plaster and timber to papier mâché, varying by room and status
Decorative elements by companies like George Jackson, pioneers in architectural ornamentation

All of this reinforced how vital it is to understand the craftsmanship and material logic behind historic properties.

Why This Matters

As an interior designer specialising in period and heritage homes, I believe passionately that education and curiosity are fundamental to helping my clients. Restoration isn’t just about preserving beauty. It’s about safeguarding stories, techniques and traditions that shaped our built environment. These buildings are part of our shared cultural legacy and they need to be treated with knowledge and respect.

Are you the custodian of a period property?

If you’re looking to design your interiors to honour its history while ensuring it feels beautifully liveable today, we’d love to hear from you.

Exploring an Arts & Crafts Gem

Mon, 23 Jun 2025 14:57:30 GMT

Goddards: A Lutyens Architectural Jewel

Surrey Style: The Architectural Backdrop

The home is a textbook example of what’s often referred to as the “Surrey style”, a regional take on vernacular architecture that blends local materials like bargate stone, red brick and oak timbering with steeply pitched roofs and sweeping gables. This style is rooted in tradition yet romanticised through Lutyens’ signature playfulness with scale, symmetry and form.

Lutyens was a master of proportion and detail, but it was his collaboration with Gertrude Jekyll, the famed garden designer, that elevated his country houses to a new level of domestic harmony. Goddards is no exception as the garden, although smaller than some of their other projects, was carefully considered as an extension of the architecture itself.

The Arts & Crafts Influence

At the core of the Arts & Crafts movement was a rebellion against mass production. Instead, designers like Lutyens championed craftsmanship, natural materials and a return to vernacular building traditions. At Goddards, you’ll see these values in every handmade brick, leaded windowpane and gently curving oak beam.

The interiors reflect a humble elegance: practical yet beautifully detailed woodwork, integrated furnishings and cosy proportions that invite comfort over grandeur. There’s a real sense of lived-in charm, architecture designed not to impress, but to nurture.

In 1953, Goddards was bought by William and Noeline Hall. In 1991, it was given to the Lutyens Trust in memory of their son, Lee Heath Hall, an architect who tragically passed away in 1988.

It’s one of the few Lutyens homes you can actually stay in , through the Landmark Trust. Accommodating up to 12 guests, it offers a rare opportunity to experience Arts & Crafts living first-hand.

The house is also available to visit via pre-booked tours , offering an opportunity for architecture enthusiasts, students and admirers of historic homes to explore its rich legacy.

Why It Matters Today

Goddards isn’t just a beautiful home. It’s a time capsule of architectural ideals and a shining example of how homes can be both practical and poetic. In many ways, Lutyens’ work feels more relevant than ever. His use of local materials, emphasis on natural light and deep respect for craftsmanship align closely with today’s values around sustainability and "green" building practices.

His meticulous attention to detail, from the flow of a floorplan to the hand-carved curve of a banister, reminds us that truly exquisite spaces are those designed not only to impress, but to be lived in with comfort and delight. These are homes that respond to their landscape, reward slow discovery and continue to inspire over a century later.

Supporting the Legacy

To help preserve and celebrate the work of Lutyens, you can join the Lutyens Trust . Membership supports conservation efforts and offers access to events, tours and publications that explore his enduring influence on British architecture.

How to Choose a Kitchen

Mon, 16 Jun 2025 09:53:44 GMT

A Step-by-Step Guide for Your Renovation

1. Think About How You Live

Before choosing a kitchen style or layout, reflect on how you use the space:

Do you cook daily or just occasionally?
Is the kitchen purely functional, or a hub for socialising?
Will you eat in the kitchen or dine elsewhere?
Do you need room for children, pets or working from home?
What’s currently frustrating about your existing kitchen?

This will shape every design decision, helping you prioritise practicality as well as aesthetics.

2. Respect the Character of Your Home

When designing a kitchen for a period home, it’s important to create a space that feels harmonious with the rest of your property. Whether you're working with Georgian, Victorian or Edwardian architecture consider:

Traditional details like shaker cabinets or tongue-and-groove panelling
Natural materials such as wood, stone or aged brass
Soft, heritage-inspired colour palettes
The balance between original features and modern functionality
Making the most of the architecture you have so you're not fighting against it. Highlight the quirks.

A thoughtful design will feel timeless, not trendy, and sit comfortably in its setting.

3. Prioritise the Right Layout

The best kitchen layouts support how you move through the space. Start with the classic kitchen triangle—the relationship between the sink, hob and fridge, but adapt it to your lifestyle.

Modern layouts may also include:

A kitchen island or peninsula for prep, dining or socialising
Dedicated zones for baking, coffee-making or kids’ homework
Open-plan designs that flow into living or dining areas

Need help zoning an open-plan kitchen? Feel free to get in touch.

4. Choose Durable, Beautiful Materials

The best kitchens combine beauty with long-term durability. Think beyond surface looks and consider materials that will stand up to daily use:

Cabinetry: Solid wood or high-quality painted MDF
Worktops: Quartz, composite or natural stone
Flooring: Stone or tiles with underfloor heating
Splashbacks: Tiles, glass, steel sheets

Opt for finishes that are easy to clean, family-friendly and cohesive with your home’s style. Avoid materials that are difficult to look after or stain easily.

5. Don’t Underestimate the Details

Finishing touches give your kitchen personality and polish. These include:

Handles and hardware – antique brass, matte black or ceramic, or go without handles
Taps and sinks – filtered and boiling water taps, Belfast sinks or contemporary mixers
Lighting – statement pendants, under-cabinet lighting and task lighting
Colours – do you want your kitchen to feel calm, bold, cosy or energising?

Using colour psychology can help you choose tones that make your kitchen feel just right. The Georgians started painting their dining rooms in earthy reds, yellows and oranges as they had worked out these colours make you feel hungry.

6. Use a Checklist to Stay on Track

There’s a lot to think about when choosing a kitchen, and it’s easy to miss something. That’s why we’ve created a free Kitchen Planning Checklist, available for download when you sign up to our monthly newsletter.

It covers everything from layout and storage to style choices and lighting, so you're organised and ready to move forward.

Or if you prefer to chat through options and need some ideas book a consultation to get you started.

Celebrating 100 Years of Art Deco Style

Tue, 03 Jun 2025 14:27:59 GMT

What Art Deco teaches us today

Art Deco was born in a period of optimism. The First World War had ended, and there was a collective yearning for progress, elegance and order. Art Deco responded with geometry, symmetry and rich materials. It embraced the new while honouring craftsmanship—fusing traditional techniques with cutting-edge ideas.

In Britain, Art Deco made its mark in both public and private architecture. Think of the streamlined curves of London’s Daily Express Building, the striking detailing of Eltham Palace or the ocean liner glamour of many 1930s suburban homes. This was a style that wasn’t afraid to make a statement. It combined exotic influences with technological advances: chrome, glass, lacquer, inlays and exotic woods—all arranged with rigour and flair.

For interior design, Art Deco brought a new confidence. Colour schemes were rich but controlled—ivory, black, jade and gold were typical. Patterns were graphic: zigzags, sunbursts, chevrons and stylised florals, often used in marquetry, textiles and flooring. This was the era of the cocktail cabinet, of sleek lighting, of elegance with an edge.

So why does Art Deco still matter?

It reminds us of the power of clarity. In a world often overloaded with visual noise, Art Deco offers a masterclass in balance and intention. Every line and curve was considered. The palette was disciplined, the silhouettes striking.

There’s also a lesson in creative courage. Art Deco wasn’t subtle, and it wasn’t trying to be timeless. It was proud to be of its time—and in doing so, it became timeless anyway. That’s a useful reminder for today’s renovators: make bold choices, but make them with purpose.

What’s the difference between Art Deco and Art Nouveau?

Unlike its curvier predecessor, Art Nouveau, which took its cues from nature, Art Deco looked to the future. It celebrated the rise of industry, speed, and technology—streamlining ornament and favouring clean lines over flowing ones. This shift marked a broader cultural change: design was no longer just about beauty, but about modern living.

If you own a period property with Art Deco details—Crittall windows, parquet flooring, stepped fireplaces or fan motifs—it’s worth celebrating them. These features can be beautifully integrated into a contemporary scheme, adding layers of character and authenticity. And if you’re simply drawn to the style, there are ways to nod to it with colour, pattern, and silhouette—without slipping into pastiche.

Art Deco turns 100 this year, but it still feels utterly relevant: a reminder that good design speaks across generations.

Local & Community History Month

Fri, 02 May 2025 15:52:06 GMT

Why Researching your Home's History Matters in Design

Mark was just 29 when he died in France during WWI. Through tireless research of my family, we’ve been able to piece together his life—from census records and family memories to war diaries and battlefield reports. He was a bricklayer, a footballer for Southampton, a husband. And he was one of the many young men who left quiet, hardworking lives behind to serve, never to return.

A strange coincidence strengthened my link to Mark. A couple of years ago, I went to France, to the site of the battle. He was buried in an unmarked grave, but his name is on the Arras memorial. The memorial was designed by Sir Edwin Lutyens, one of my favourite Arts and Crafts architects - who grew up in the Surrey village I now live in.

Understanding Mark’s story—his role in the community, his craftsmanship, his sacrifice—has changed the way I view homes. They are not just bricks and mortar. They are repositories of memory, legacy and identity.

Although the depth of the research varies, when we work on a period property, we take the time to explore its past. It’s about more than heritage features or planning regulations. It’s about honouring those who came before. Who built the house? Who lived there? What was happening in the world around them?

For homeowners, this can be incredibly grounding. You’re not just making improvements—you’re continuing a legacy. When you understand your home’s past, you understand your place in a much bigger story. It fosters a sense of belonging, of stewardship and of pride.

Our homes connect us—to each other, to our communities, and to the generations who shaped the spaces we now call our own. That’s why design, for us, always starts with history, even in the most modern schemes and extensions.

If you’re looking to find connection with your home, whether you’re renovating or not, drop us a line to find out about our research packages.

Preserving the Past, Protecting the Planet

Tue, 22 Apr 2025 14:20:01 GMT

How to Renovate Heritage Homes Sustainably

1. Start with the Building Fabric

Before investing in renewables, ensure your building’s fabric is working efficiently. Draught-proofing, repairing windows rather than replacing them and reinstating internal shutters can all improve thermal comfort without compromising heritage value. Historic England and the Listed Property Owners Club both recommend breathable insulation materials such as sheep’s wool or wood fibre for walls and lofts—these help manage moisture in older buildings.

2. Respect Original Materials

Sustainability is about longevity. Retaining original features such as timber floors, lime plaster and period fireplaces avoids the carbon cost of new materials and preserves the soul of your property. Our expert team sources traditional materials from trusted suppliers and guides you through repair, not replacement, wherever possible.

3. Upgrade with Care

Smart heating controls, energy-efficient lighting and secondary glazing are unobtrusive ways to enhance performance without spoiling period charm. Where appropriate, sensitive solar installations or ground-source heat pumps can be installed.

4. Think Maintenance First

Regular maintenance is one of the most sustainable strategies available. Keeping gutters clear, checking pointing and repairing damage early reduces the need for more invasive work later.

Partnering for a Greener Future

We believe beautiful buildings and sustainable living can go hand in hand. By choosing to renovate thoughtfully, heritage property owners can enjoy comfort, style and efficiency—while doing their part for the planet.

At Home by Design specialises in transforming period homes with sensitivity and expertise, helping homeowners make sustainable choices that respect a building’s character while reducing environmental impact.

If you own a listed or period property and want to explore how sustainability can be woven into your renovation plans, click on the button below to get in touch. We’d love to use our deep understanding of historic homes and passion for colour and craftsmanship to help you future-proof your property without compromising its past.

Reviving Heritage Homes

Mon, 31 Mar 2025 16:14:30 GMT

Balancing Tradition with Modern Comforts

Modernising Without Losing Character

While period homes exude charm, they often lack the conveniences of modern living. Here’s how to update key areas while maintaining historical integrity:

Kitchens & Bathrooms : Opt for bespoke cabinetry that echoes the home's era, pairing it with high-quality modern appliances. Traditional-style taps, butler sinks and marble worktops offer a seamless blend of old and new.
Heating & Insulation : Upgrading heating systems is crucial for comfort. Underfloor heating, discreet radiators and secondary glazing improve warmth without compromising aesthetics.
Lighting & Technology : Statement lighting, such as period-style pendants, can work harmoniously with smart home technology. Use concealed wiring and sympathetic placement of modern fixtures to retain authenticity.

Avoiding Common Renovation Pitfalls

Planning Permissions : Many period homes, especially listed buildings or those in conservation areas, require approval before making alterations. Work with specialists who understand heritage guidelines to ensure compliance.
Sourcing Authentic Materials : Reclaimed timber, traditional lime plaster and handmade tiles can be sourced to match original features, ensuring seamless restoration.
Structural Sensitivity : Older homes require careful handling. Avoid excessive stripping of original features or using incompatible materials that could harm the building’s integrity.

The Beauty of Blending Old and New

A well-executed heritage renovation respects the past while embracing the future. Picture a Victorian townhouse with restored cornicing and an elegant modern kitchen or a Georgian home where period fireplaces contrast with sleek, contemporary furnishings. The best designs allow old and new to coexist harmoniously, creating spaces that are both timeless and functional.

The same can be said for extensions. Your council’s conservation officer will take a view on how extensive renovations should be. It’s often better to design a modern extension to mark a clear line between old and new, rather than create something that looks like it’s old, but has little provenance or authenticity.

Bringing Your Heritage Home to Life

Renovating a period property requires expertise, patience and an eye for detail. At At Home by Design, we specialise in transforming heritage homes with a sympathetic approach, ensuring they remain as stunning as the day they were built—only now with the comforts of modern living. If you're considering a renovation and need expert guidance, get in touch. It’s possible for history and contemporary design to work beautifully together.

Lights, Camera Action: Film sets & interiors

Tue, 18 Mar 2025 12:00:36 GMT

What's your interiors story?

Crawford's approach began with understanding Bridget's character. She envisioned the home as a blend of Bridget's lively spirit and the lingering presence of her late husband, Mark Darcy. The kitchen features a family-friendly Aga, symbolising warmth and togetherness, while the living room boasts a real fire, enhancing the cosy ambiance. Mark's office remains untouched, preserving his memory with family photographs, juxtaposed against the more eclectic and colourful spaces that represent Bridget's free-spirited nature.

Designing interiors for film involves more than aesthetic appeal; it's about creating spaces that resonate with the narrative and characters. Set decorators often start with a key piece that encapsulates the character's essence, building the room's design around it. Beth Rubino, known for her work on It's Complicated and Something's Gotta Give , suggests that blending styles and eras can add depth, making the space feel authentic and lived-in.

Lighting is another crucial element. Unlike traditional interiors where lighting is often functional, film set lighting is designed to enhance mood and focus attention. Cinematographers often avoid overhead lighting, opting for sources at various angles to add depth and dimension, thereby creating a more engaging visual experience.

Translating Film Set Design to Personal Spaces

Homeowners inspired by film interiors can incorporate certain principles into their own spaces:

Personal Narratives : Decorate with items that tell your story—travel souvenirs, family heirlooms or artwork you love. This approach mirrors how set decorators use objects to reflect a character's history and personality. It makes a space feel authentic.

Eclectic Mix : Don't feel confined to a single style. Combining different periods and designs can result in a unique and personalised space, much like the curated yet diverse aesthetics seen in film sets.

Thoughtful Lighting : Use lighting to create ambiance. Incorporate lamps and fixtures that provide various light sources, enhancing the room's depth and warmth.

By adopting these techniques, you can infuse your home with the same intentionality and character found in thoughtfully designed film interiors.

Film set interiors are meticulously crafted to serve the story, offering viewers a deeper connection to the characters and their journeys. The design of Bridget Jones's home in Mad About the Boy exemplifies how interiors can reflect personal narratives and emotional landscapes. By understanding and applying these design principles, we can create living spaces that not only look beautiful but also tell our unique stories.

Need help developing your story?

Find out how we can help you create authentic interiors with personality. Book a call or a consultation with us today.

Using a Neutral Palette in Heritage Interiors

Tue, 04 Mar 2025 16:59:28 GMT

A Little Bit of Calm

Layering for Depth and Warmth

The key to using neutrals successfully is layering. Without depth, neutral schemes can feel flat or cold, but the right mix of textures and tones brings warmth and interest. Try pairing matte-painted walls with glossy woodwork for contrast, or mix different materials such as linen, wool, and aged oak to add visual weight. A limestone-toned wall with a velvet-upholstered chair and a woven rug instantly creates a sense of richness and dimension.

Introducing Accent Colours & Patterns

A neutral scheme doesn’t mean avoiding colour altogether. Soft accent shades—such as dusky blues, sage greens or even a muted blush—can add depth while maintaining the heritage feel. Consider using these hues for upholstery, decorative accessories or even within a classic wallpaper pattern to introduce subtle interest. Vintage-inspired patterns, whether through textiles or artwork, can further enrich a neutral scheme while staying true to the home’s historic charm.

Perfect Neutral Combinations for Period Homes

Selecting the right neutrals for a heritage property means balancing warmth, depth and authenticity. Beige doesn’t have to mean boring. Some of our favourite combinations include:

Greige & Chalk White – Ideal for panelled rooms, offering a sophisticated yet soothing effect.
Stone & Dusty Blue – A classic combination that works beautifully in Georgian and Edwardian properties.
Warm Taupe & Aged Oak – Perfect for enhancing the natural beauty of wooden floors and antique furniture.

Create Your Own Timeless Neutral Scheme

If you're looking to embrace the magic of neutrals in your period home but need guidance in selecting the perfect palette, we’re here to help. At Home by Design offers expert colour consultations tailored to heritage properties, ensuring your interiors remain timeless, elegant and full of character. Why not start with a consultation to get some ideas?

How to work with an interior designer

Mon, 17 Feb 2025 14:43:34 GMT

Getting the Best Out of a Relationship with an Interior Designer

1. The Initial Consultation: Defining Your Vision

Every successful renovation project starts with an in-depth consultation. This is where you and your designer discuss your goals, challenges, style preferences and budget.

Our process begins with understanding not just what you want your home to look like but also how you want it to feel and function. We’ll discuss your lifestyle, inspirations, and any specific needs your space should address. It’s important to be open about your expectations and honest about your budget so we can tailor solutions that work best for you.

2. Developing a Design Brief, Mood Boards and Timelines

Once we’ve established your vision, the next step is to create a detailed design brief. This document serves as a roadmap for the project, outlining key elements like:

Space planning and layout
Colour schemes and materials
Furniture, fixtures, and fittings
Lighting and accessories

We’ll also develop mood boards to visually represent the aesthetic direction and ensure we’re aligned before moving forward. Timelines are carefully mapped out to set expectations on project phases, ensuring clear milestones and progress tracking.

3. Handling Challenges: Budgets, Delays and Unforeseen Issues

Renovations often come with unexpected challenges, from budget constraints to supply chain delays or structural surprises hidden behind walls. A good designer anticipates potential pitfalls and has contingency plans in place.

Transparent communication and proactive problem-solving is essential. Whether it’s adjusting material choices to stay within budget or reworking layouts due to unforeseen structural issues, we work closely with contractors and suppliers to find the best solutions. Our goal is to keep the project moving forward without compromising on quality or design integrity.

4. Success Stories: Bringing Designs to Life

Here are a few examples of how we’ve helped clients achieve their dream spaces:

The Shippon Conversion : A Victorian cow barn transformed into a stylish, playful holiday rental, using smart zoning for an open-plan space.
Country Manor Restoration : A listed property where modern living seamlessly blends with historic charm, showcasing bold colour choices and luxurious fabrics.
Stable Conversion Makeover : A beige developer’s blank canvas reimagined with moody industrial tones, softened by luxe textures for balance.

5. Your Next Step: Start Your Renovation Journey

Working with an interior designer should be an enjoyable and rewarding experience. With the right communication, trust and collaboration, your home renovation can be both seamless and inspiring. You should be working with someone you get on with, and have faith in. They should be working in your best interest.

Our Initial Consultation Package

We offer a consultation which offers inspiration and direction. During this 90 minute (or so) meeting, we talk about a whole range of things relating to your project – e.g. scope, lifestyle, functionality, budget, aesthetic and so on. You'll come away with lots of initial ideas and inspiration.

Some people find the initial design consultation is sufficient for what they need and are happy to move forward on their own, while other clients prefer hands-on support for particular elements of their project or a tailored end-to-end service. If you need more support, the cost is deducted from your first design service installment.

Schedule a consultation today and let’s bring your vision to life.

Culture vultures

Wed, 05 Feb 2025 12:59:57 GMT

Interiors Inspired by Travel

Mastering Colour Psychology in Cultural Design

Every culture has its own relationship with colour. Mediterranean blues evoke the warmth of the Aegean Sea, rich ochres and terracottas recall the Moroccan desert, while Japanese interiors embrace wabi-sabi neutrals for a sense of calm. Understanding these palettes allows you to weave them seamlessly into your own home while maintaining balance and sophistication.

The key is harmony—layering cultural influences without overwhelming the space.

For example, an Edwardian townhouse can embrace bold Indian-inspired jewel tones in a contemporary way by using richly upholstered seating against a neutral backdrop. A Georgian property can incorporate French provincial charm with muted pastels and gilded accents. This fusion of heritage and global inspiration creates interiors that feel both timeless and personal.

Textures & Materials: A Sensory Experience

A culturally inspired home isn’t just about visual appeal—it’s about texture and materiality. Consider the interplay of linen, silk, carved wood and natural stone.

A home inspired by Japanese aesthetics might incorporate raw timber and paper lighting, while a Tuscan-inspired space benefits from weathered terracotta and rustic plaster walls. For period properties, layering global textures thoughtfully ensures the integrity of the home’s architectural features while adding personality. A Regency-era property with high ceilings and ornate mouldings can be softened with warm, woven textiles from Latin America, or accentuated with an Art Deco-inspired Parisian palette.

Creating a Global Home with Local Sensibility

While travel-inspired interiors borrow from international influences, they should feel cohesive with the home’s location and history. A country house in Surrey infused with Moroccan influences can maintain its sense of place by balancing traditional British craftsmanship—such as antique oak furniture or classic panelling—with select North African details, like intricate tilework or brass lanterns.

Equally, a London townhouse might embrace an Italian aesthetic through the use of elegant marble, neoclassical lines and a muted palette, subtly referencing grand European residences without feeling like a pastiche.

A Timeless, Well-Travelled Home

At its best, travel-inspired design is about storytelling and authenticity. A well-designed home reflects a lifetime of experiences, a collector’s eye and a love for craftsmanship. Whether working with a heritage property or a modern space, incorporating cultural influences thoughtfully ensures an interior that feels layered, luxurious and uniquely yours.

Renovation help - Renovation checklist

Mon, 27 Jan 2025 13:50:35 GMT

Getting started on a renovation or extension

Home Renovation & Extension Checklist

Tip: For period properties, consult specialists to preserve original features and maintain historical integrity. You may need Listed Building Consent as well as planning permission. Even if your property isn't listed, it's best to talk to the experts first, before work clears away important historical details.

Feeling overloaded and don't know where to start? Get in contact for a chat. We're happy to offer advice, set up a consultation or project manage on your behalf.

How engineering revolutionised our health

Mon, 20 Jan 2025 12:12:41 GMT

Bathrooms Through the Ages:

A Journey of Design and Innovation

On 27th January we mark Thomas Crapper Day. So, it feels fitting to reflect on the evolution of bathrooms. This English businessman and plumber revolutionised bathroom design, making it functional, elegant and hygienic. While Crapper didn’t invent the toilet (a common misconception), his advancements and marketing prowess brought this essential fixture into the modern home.

Let’s take a closer look at how bathrooms have evolved, from ancient beginnings to today’s luxurious sanctuaries, blending history, design and practicality.

Ancient Beginnings: The Birth of Sanitation

Sanitation is as old as civilisation itself. By the fourth century BC, Mesopotamians had developed basic sewers and toilets, recognising the need for hygienic waste disposal. The Indus Valley Civilisation took it a step further, creating the first urban sanitation systems, complete with toilets built into the walls of homes. Meanwhile, the Romans introduced communal latrines, which, while functional, lacked privacy.

The Greeks favoured chamber pots, a portable solution that endured for centuries. While these early toilets incorporated rudimentary flushing mechanisms, many relied on natural water flows to remove waste. Despite these advancements, much of the ancient world still faced significant sanitation challenges.

The Middle Ages: Necessity Without Elegance

During medieval times, sanitation took a step backward. Cesspits and open defecation were common, even in affluent households. Castles featured ‘garderobes’ — small, private chambers with a simple hole leading to the outside. While practical, they were far from hygienic or odour-free.

Urban areas faced particular challenges, as waste often accumulated in streets and rivers. It wasn’t until the late Middle Ages that public health advocates began pushing for more structured sanitation systems, paving the way for future innovations.

The 19th Century: The Water Closet Revolution

The Industrial Revolution brought transformative changes to sanitation. Health experts stressed the importance of cleanliness, leading to the development of underground sewer networks. The ‘water closet’ emerged as a solution, combining a flushing mechanism with a closed drainage system to safely remove waste.

This is where Thomas Crapper’s influence truly shines. In the 1880s, his London showroom showcased beautifully designed flush toilets and other sanitary appliances, making them desirable household items rather than mere necessities. Crapper’s improvements, such as the floating ballcock, enhanced functionality and water efficiency. His work helped popularise the modern bathroom, transforming it into a space of both utility and sophistication.

The 20th Century: From Utility to Luxury

The 20th century saw bathrooms evolve from purely functional spaces to expressions of personal style. Innovations in plumbing allowed for greater design flexibility, and the rise of indoor plumbing made private bathrooms standard in most homes.

By mid-century, bathrooms became symbols of modernity and comfort. Tiled walls, chrome fixtures and colourful porcelain were all the rage. Who didn't grow up with an avocado bathroom suite?! Homeowners embraced the idea of the bathroom as a retreat, adding features like bathtubs, vanity mirrors and mood lighting.

Today: Bathrooms as Sanctuaries

In today’s homes, bathrooms are sanctuaries of relaxation and rejuvenation. Affluent homeowners often invest in bespoke designs, incorporating high-end materials such as marble, brass and natural wood. Freestanding bathtubs, walk-in showers and underfloor heating are just some of the luxurious features transforming bathrooms into spa-like retreats.

Sustainability is also a growing priority, with water-saving fixtures and eco-friendly materials taking centre stage. Smart technology, such as touchless taps and heated toilet seats, adds a layer of convenience and innovation, ensuring modern bathrooms are as functional as they are beautiful.

Tips for Achieving a Luxury Designer Bathroom

Choose High-Quality Materials : Opt for materials like marble, quartz or high-end ceramics for a timeless and elegant look. Natural materials add texture and warmth, creating a luxurious atmosphere.
Incorporate Bespoke Features : Custom-made vanities, cabinetry or fittings tailored to your space can elevate the design, and add storage.
Focus on Lighting : Layered lighting, including statement pendants, wall sconces and dimmable LED strips, creates a sophisticated and relaxing ambience.
Add Smart Technology : Features such as touchless taps, digital shower controls and underfloor heating enhance both comfort and convenience.
Include Spa-Inspired Elements : Freestanding bathtubs, rain showers and steam options bring a spa-like feel to your bathroom, perfect for unwinding.
Embrace Sustainability : Opt for water-efficient fixtures, recycled materials and eco-friendly designs to align with modern values while reducing environmental impact.
Work with a Professional Designer : Collaborating with an experienced interior designer ensures your bathroom is both functional and luxurious, tailored to your preferences and lifestyle.

Honouring the Legacy of Bathroom Design

As we mark Thomas Crapper Day, it’s worth appreciating the journey of the humble bathroom. From ancient sewers to today’s bespoke retreats, the evolution of bathroom design reflects our changing needs and aspirations. For homeowners seeking to create a space that combines history, elegance, and modernity, the possibilities are endless.

At Home by Design specialises in crafting timeless interiors that honour the past while embracing the present. Whether you’re renovating a heritage property or designing a contemporary bathroom with period charm, we’re here to help you create a space that’s as functional as it is beautiful.

Interested in reimagining your bathroom? Get in touch with us today and let’s create a sanctuary that’s uniquely yours.

Colour Psychology

Mon, 06 Jan 2025 13:30:43 GMT

Transforming your home and your mood

Colour has an incredible power to shape our emotions, behaviours, and even our well-being. When used thoughtfully in interior design, colour can transform a home into a sanctuary, a space for productivity, or a haven for connection. This is the essence of colour psychology—understanding how hues impact us and using them to create spaces that align with our needs and desires.

The Power of Colour in Your Home

From the calming blues of a coastal retreat to the energising yellows of a sunny kitchen, the colours we choose for our interiors are far from superficial. Each shade carries a psychological impact, subtly influencing how we feel and interact with our surroundings. The right colour palette can make a room feel more spacious, cosy, or dynamic, depending on your goals.

Choosing the Right Colours for Your Space

1. Blue: The Colour of Calm

Perfect for bedrooms or bathrooms, blue is known for its tranquil and soothing qualities. It can lower blood pressure, reduce stress, and promote restful sleep. Pair soft blues with neutral accents to create a serene escape.

2. Yellow & Orange: Energising and Uplifting

Yellow is the colour of optimism and energy, making it ideal for kitchens, dining rooms, or any space where people gather. However, it’s best used sparingly, as too much can feel overwhelming. Consider a burnt orange feature wall or sunny accents in cushions and curtains.

3. Green: Balancing and Rejuvenating

Evoking the tranquillity of nature, green is a versatile choice for living spaces or home offices. It promotes balance, renewal, and focus. Deep forest greens work beautifully in heritage properties, while lighter shades can brighten smaller spaces.

4. Neutral Tones: Timeless and Sophisticated

Neutrals like beige, taupe, and grey provide a perfect backdrop for showcasing architectural features in period properties. They create a sense of calm and allow other design elements to shine. Layering different textures and tones can keep the look warm and inviting.

Case Study: The Transformative Power of Colour

One of my recent projects involved a heritage property in Sussex where the client wanted to create a calm yet sophisticated master bedroom suite. We opted for a a natural palette to complement the wooden beams, adding pops of magenta and turquoise in the soft furnishings to give a boost. The result was a space that not only respected the home’s period charm but also fostered a luxurious look that also made a statement.

Tips for Getting Started

If you’re unsure where to begin, here are some tips to guide you:

Start with a mood: Think about how you want to feel in the space. Is it calm, energised, or cosy?

Consider lighting: Natural and artificial lighting can dramatically alter how a colour appears, so always test swatches in your space.

Layer your palette: Combine main colours with complementary hues and textures for depth and interest.

Seek professional advice: A designer experienced in colour psychology can help you select shades that work harmoniously with your home’s architecture and your personal style.

Transform Your Home with Colour Psychology

Your home should be a reflection of your personality and a place where you feel at your best. By understanding the psychology of colour, you can craft interiors that are not only beautiful but also deeply supportive of your well-being.

If you’re ready to explore how colour can transform your home, I’d love to help. Book a consultation with me today and take the first step towards a space that truly supports your lifestyle.

Winter warmers

Tue, 17 Dec 2024 15:07:10 GMT

Embracing Cosy Interiors with Seasonal Colour Psychology

As winter settles in and the days grow shorter, our homes take on a new role: they become havens from the cold, places to relax and recharge. Creating a sense of warmth and comfort during this season goes beyond adding blankets and lighting candles—the colours you choose for your interiors can play a significant role in how welcoming and cosy your home feels.

This winter, let’s explore how to use colour psychology to bring warmth, joy and tranquillity into your home.

The Psychology of Winter Colours

In winter, we instinctively crave environments that provide both physical and emotional warmth. Colours that evoke comfort and cheer can help lift your spirits and counteract the grey skies outside. Rich, warm tones and earthy hues work wonders to create an inviting atmosphere, while soft neutrals and jewel tones can add elegance and depth.

1. Embrace Warm Neutrals

Neutral colours with warm undertones, such as taupe, beige and cream, are timeless choices for a cosy winter home. They create a calm and soothing base while allowing you to layer textures and accent colours. Consider soft woollen throws, textured cushions or a natural fibre rug to complement these tones.

2. Add Depth with Earthy Hues

Rusty oranges, deep ochres, and terracotta shades evoke the natural beauty of winter landscapes and bring a sense of groundedness to interiors. These colours are perfect for feature walls, furniture upholstery or even small accessories like vases and lampshades.

3. Bring Cheer with Jewel Tones

If you’re looking to add a touch of drama or luxury, jewel tones like emerald green, sapphire blue or ruby red can infuse your space with vibrancy. Use them sparingly—a velvet cushion, a statement armchair or a piece of artwork—to make a striking impact without overwhelming the space.

4. Incorporate Seasonal Accents

Deep reds and forest greens are classic winter hues that never go out of style. They work beautifully in dining rooms or living areas, especially when paired with natural materials like wood and stone. For a modern twist, pair these colours with metallic accents such as gold or brass.

Tips for a Cosy Winter Home

Layer Your Lighting: Lighting is key during the dark winter months. Combine warm-toned ambient lighting with accent lights, such as table lamps or fairy lights, to create a layered and inviting glow.
Play with Textures: Mix and match materials like velvet, wool and faux fur to add tactile warmth to your interiors. Don’t be afraid to layer multiple textures in the same space.
Update Soft Furnishings: Switch out lighter summer fabrics for heavier curtains, cushions and throws in warm, rich colours.
Add Natural Elements: Incorporate greenery, such as seasonal wreaths or evergreen plants, to bring life into your home. Dried flowers and pinecones are also great for adding a winter touch.

Case Study: A Cosy Surrey Home

Recently, I worked with a client to refresh their home for winter. By introducing warm beige walls, a plush velvet sofa in burnt orange, and teal-coloured cushions, we transformed the space into a cosy retreat. Layered lighting, from a low pendants on dimmers to table lamps, completed the look, making it the perfect spot for family gatherings.

Create Your Winter Haven

Winter is the ideal time to rethink your interiors and create a space that feels like a warm embrace. Whether you’re drawn to earthy tones, jewel colours or classic seasonal accents, there’s a palette to suit every style and home.

If you’d like to transform your home this winter, I’m here to help. Book a consultation today, and let’s create a cosy, welcoming space you’ll love all season long.

Window dressing with curtains

Mon, 02 Dec 2024 14:03:06 GMT

Choosing the perfect curtains in six steps

Curtains are more than just window coverings—they are essential design elements that can transform a space. From creating a sense of luxury to enhancing comfort and privacy, the right curtains make all the difference. Here’s a guide to help you navigate the key decisions, with insights on fabrics, styles, and practicalities.

1. Choose the right fabric

Fabric choice sets the tone for your curtains. Heavyweight materials like velvet or brocade create a sense of opulence and help with insulation, while lighter fabrics such as linen or voile offer a breezy, relaxed feel. For a balanced look, consider cotton blends, which provide durability and versatility.

When choosing fabric, consider its function. Do you need blackout lining for a bedroom? Or a sheer fabric to allow light into a living space? Fabrics with a good drape and weight will hang beautifully, enhancing the overall look.

2. Select the right a style

Curtain styles should reflect both the architecture of your home and your personal aesthetic. Traditional pinch pleats or pencil pleats are timeless and suit period properties, while wave curtains offer a more contemporary feel. Layering curtains with sheer panels adds depth and dimension, perfect for rooms that need a softer touch.

3. Don't forget the hardware

Curtain poles and tracks are often overlooked but play a crucial role in the overall design. Wooden or metal poles add character and can either complement or contrast with your fabric. Tracks are ideal for a minimalist look, especially when paired with wave curtains. For bay windows or large expanses of glass, custom tracks ensure a seamless fit and smooth operation.

4. Find the perfect length

Curtain length can dramatically impact the room’s proportions. Full-length curtains that puddle slightly on the floor create a luxurious, formal look, while floor-length curtains with a clean break give a tailored, modern vibe. If you prefer a more casual feel, consider curtains that just skim the floor. Remember to measure carefully to achieve the desired effect.

5. Remember the practical considerations

Beyond aesthetics, think about maintenance and functionality. Some fabrics are easier to clean and more durable, making them suitable for high-traffic areas. If energy efficiency is a priority, thermal linings can help retain heat in winter and keep rooms cool in summer. Avoid silks and bright colours if you’re room is south facing - they will fade and quickly deteriorate.

6. Engage an interior designer

When we think of interiors, most people immediately think of the visual elements - the colour of the walls, the window treatments, cushions and accessories. For an interior designer the design of these elements happens at the end of the process, once they’ve dealt with space planning, lighting, and then the overall scheme. They can help you navigate all the choices for window treatments, ensuring that your curtains enhance the room’s architecture and overall style. From sourcing unique fabrics, advising on poles and tracks, and designing a look that will fit with the room, a designer will create a cohesive, beautiful space.

Deck the halls with nature & colour

Mon, 25 Nov 2024 12:49:37 GMT

Christmas decorating tips with a twist

As the festive season approaches, there's no better time to turn your home into a cosy, Christmassy retreat. But why not try something a little different this year? Instead of relying solely on glittering tinsel and synthetic baubles, embrace the beauty of nature and the magic of colour psychology to create a truly bespoke Christmas look.

Here’s how to infuse your home with festive spirit using natural elements and carefully chosen colours.

1. Go Foraging for Festive Foliage

Wrap up warm, grab your wellies, and take a stroll through your local woodland. Nature’s Christmas decorations are everywhere:

Evergreens: Holly, ivy, and pine branches are classics. Use them to create garlands, wreaths, or table centrepieces.
Berries: Red holly berries or rose hips add pops of festive colour. Just make sure they're out of reach if you’ve got curious little ones or pets.
Pinecones: Scatter them across your mantlepiece, or spray them with metallic paint for a touch of glamour.
Twigs and Branches: Arrange bare branches in a vase for a minimalist Scandi vibe, or drape them with fairy lights for extra sparkle.

Pro Tip: Foraged greenery can dry out quickly indoors, so consider misting it lightly with water or using florist foam to keep it fresh.

Please only take what you need, and don’t stray on private land.

2. Play with a Natural Colour Palette

Nature provides the perfect inspiration for your Christmas colour scheme. Here are some ideas to try:

Classic Woodland: Pair deep greens with pops of red and earthy browns for a traditional and nostalgic feel.
Frosted Forest: Blend silvery whites with icy blues and soft greys for a wintry, sophisticated look.
Golden Glow: Use warm golds, bronzes and creams to create a cosy, candlelit atmosphere.

Colour psychology tip: Greens evoke balance and harmony, while reds bring warmth and excitement. Combine the two for a cheerful yet grounded holiday vibe.

3. Craft Your Own Decorations

Put on your favourite Christmas playlist and get crafting! Homemade decorations not only look charming but also add a personal touch to your home. Here are some ideas:

Orange Slice Ornaments: Dry slices of orange in the oven, thread them with twine, and hang them on your tree.
Cinnamon Stick Bundles: Tie cinnamon sticks together with a ribbon for a rustic decoration that smells divine.
Natural Wreaths: Weave together branches, berries, and eucalyptus leaves to create a beautiful, aromatic wreath for your door.
Mini Forests: Fill glass jars with moss, twigs, and fairy lights to create enchanting woodland terrariums.

4. Bring the Outdoors In

Who says fairy lights are just for trees? Use them to illuminate your natural decorations:

Wind lights around pine branches in a vase for an eye-catching display.
Use battery-operated lights to illuminate your garlands and wreaths.
Add a strand of warm white lights to a bowl of pinecones for a simple yet elegant table centrepiece.

5. Incorporate Festive Scents

Christmas is as much about the smells as it is about the sights. Enhance your natural decorations with:

Fresh Herbs: Rosemary sprigs look beautiful and smell amazing when tied to napkin rings or tucked into wreaths.
Scented Candles: Choose fragrances like fir, cinnamon or spiced orange for an extra festive feel.
Clove-Studded Oranges: Not only do they smell incredible, but they also make for a stunning, old-fashioned decoration.

6. Create Cosy Colour Zones

For a truly bespoke feel, use colour to create distinct zones in your home:

The Sitting Room: Opt for warm, rich tones like burgundy and gold to create a space perfect for sipping mulled wine.
The Dining Room: Stick to a cohesive, understated palette – perhaps silvers and whites – to allow your table settings to shine.
The Entrance Hall: Make a bold first impression with a statement wreath and bright, cheerful hues like red and green.

Decorating your home for Christmas with nature and colour is not only sustainable but also endlessly customisable. Whether you prefer a traditional look or something a bit more contemporary, incorporating natural elements allows you to create a festive atmosphere that feels personal and unique.

So, grab your wellies and your crafting supplies, and let nature inspire your most magical Christmas yet!

At Home by Design specialises in creating interiors that balance timeless charm with a twist. For more decorating inspiration, contact us today.

Exploring Munstead Wood

Mon, 18 Nov 2024 14:18:45 GMT

A Heritage Gem of the Arts and Crafts Movement

The Arts and Crafts movement, often misunderstood, wasn’t a style but a philosophy. It emerged in the late 19th century as a reaction to the decline of craftsmanship during the industrial revolution. Advocating for a return to artisanal values, it rejected mass production and embraced craftsmanship and simplicity.

One of the finest examples of this movement is Munstead Wood in Godalming, Surrey. Designed by architect Edwin Lutyens in 1896 for renowned garden designer Gertrude Jekyll, it showcases the collaborative spirit of the movement. The house remains historically significant, earning Grade I listed status, a rare honour that highlights its architectural and cultural importance.

Jekyll and Lutyens’ collaboration began when they met in the Surrey Hills in 1889. Jekyll’s strong artistic vision, paired with Lutyens’ architectural talent, shaped Munstead Wood into a unique embodiment of Arts and Crafts ideals. The property combines local materials like Bargate stone, oak frames, and clay tiles with thoughtful design elements, such as large gables, ornamental chimneys, and flush window frames.

While the house has remained largely untouched structurally, modern conveniences like bathrooms were added later. Jekyll held a puritanical view of such advancements during her time, insisting on simplicity, which reflected her devotion to the movement’s values. She kept her tin bath in the eaves of her bedroom.

In 2022, Munstead Wood was purchased by the National Trust with plans to renovate it for public access. Restoring a Grade I listed property poses unique challenges, including adhering to strict conservation rules and uncovering its historical authenticity. Ongoing research into Jekyll’s designs, personal records and influences is crucial to shaping the renovation narrative.

The restoration could focus on Jekyll’s contributions as a garden designer, Lutyens’ architectural legacy, or the intriguing stories of later owners. Each perspective offers an opportunity to educate and inspire, ensuring the home’s legacy continues to resonate.

Munstead Wood exemplifies the complexity and beauty of restoring heritage properties. By balancing historical research, legal frameworks, and creative storytelling, designers can breathe new life into buildings while preserving their cultural significance.

For more on restoring heritage properties or bespoke interior design, drop us a line.

A historical tale: designing for the individual

Mon, 04 Nov 2024 11:13:18 GMT

Designing beyond aesthetics & functionality

The Case of Polesden Lacey

When creating a space, interior designers must go beyond aesthetics and functionality; they must also consider the subtle sociological factors that shape the lives and preferences of their clients.

Understanding these hidden elements can be a challenge, as noted by K. Izumi in 1968: “Identifying psychological and sociological design considerations is a difficult matter. So much is hidden behind our normal, but biased, level of perception.”

To explore this in more depth, let's look at Polesden Lacey, an Edwardian country manor in Surrey, as a case study.

A Modern House for its Time

Polesden Lacey was purchased in 1907 by Margaret Greville, a wealthy socialite from an industrial family. Built just a few years earlier, it was a modern marvel, boasting electric power, en-suite bathrooms, stables, and even a “motor house.” At the time, The Engineer magazine praised it as an example of how technology could meet the demands of comfort and hygiene in country homes.

With these functional needs met, Greville focused on using the space to fulfil her social ambitions.

Designing for Sociological Needs

Margaret Greville’s background reveals why understanding sociological factors is critical for designers. As the illegitimate daughter of a Scottish brewer, Greville inherited wealth from industry rather than aristocracy. She marrying into nobility, but to secure her place in high society she established herself as a prominent society hostess, an ambition that shaped every corner of Polesden Lacey.

An Entertainer’s Paradise

Greville commissioned the architects behind the Ritz hotels, Mewès and Davis, and the renowned interior design firm White Allom & Co., to transform Polesden Lacey into a sophisticated venue for entertaining. She filled the rooms with historical styles and architectural salvages, from gilded Italian panelling to a 17th-century carved church screen. These opulent settings hosted illustrious guests, including the Duke and Duchess of York (later King George VI and Queen Elizabeth), who spent part of their honeymoon at Polesden Lacey.

The design was not only about appearance; it served a purpose. According to the National Trust, Polesden Lacey became “synonymous with leisure, indulgence, and hospitality.” Greville’s guest list was equally influential, including political figures and dignitaries. It’s said that Harold Nicholson, MP, once remarked that Greville’s drawing room felt like the epicentre of foreign policy.

Practical and Personal Design Details

In her study, one detail highlights Greville’s specific needs. A window above the fireplace allowed her to see guests arriving up the drive while she sat by the fire, facilitated by a cleverly routed chimney flue that bends behind a false bookcase. At night, mirrored shutters would glide across to create an intimate atmosphere.

The interiors also accommodated Greville’s extensive collections, from paintings and silver to Fabergé carvings, with careful attention to lighting and window treatments to protect these treasures from sun damage.

A Testament to Design’s Impact

Polesden Lacey remains a testament to the importance of tailoring design to individual needs, both practical and sociological. The interiors reflect not only how Greville wanted to live and feel within her home but also the message she wished to convey to her guests. She bequeathed the property to the National Trust , ensuring that her legacy endures—along with the fascinating insights it provides into how design shapes both personal and social spaces.

For today’s designers, Polesden Lacey serves as a reminder: every element, from architectural salvages to the arrangement of windows, contributes to a client’s unique vision and lifestyle.

How responsible design can be stylish and sustainable

Tue, 29 Oct 2024 13:39:13 GMT

Our obligation to create spaces that combine environmental aesthetics, functionality and style

The term environmental aesthetics represents the intersection of environmental awareness and thoughtful design, creating spaces that are as kind to the planet as they are visually appealing. With increasing awareness of sustainability issues, there’s a growing understanding that designers have a multi-faceted responsibility: not only to deliver on the client’s brief but to also consider the environmental impact of their work, both now and in the future.

While the final choice rests with the client, designers play a crucial role in presenting sustainable options and explaining their environmental benefits. Here are several ways designers can approach projects to ensure they are both aesthetically pleasing and environmentally responsible.

Using sustainable materials

One of the most effective ways to create environmentally friendly designs is through the use of sustainable materials. This includes selecting recycled, renewable and biodegradable resources, such as sustainable wood for joinery or plant-based paints. These choices help reduce waste and minimise the use of non-renewable resources, offering clients beautiful finishes that are also eco-conscious.

Reducing energy consumption

Energy-efficient design goes hand-in-hand with environmental aesthetics. Maximising natural light in a space, for example, reduces the need for artificial lighting and helps cut energy costs. Incorporating energy-efficient technologies, such as solar panels, and opting for larger windows in darker rooms can also significantly reduce a home’s energy footprint while enhancing the atmosphere with abundant natural light.

Using water-efficient fixtures

Water conservation is a key aspect of sustainable design. Integrating water-efficient systems, such as aerated showerheads with reduced flow and low-flush toilets, can dramatically lower water consumption without sacrificing style or functionality. These fixtures blend seamlessly into modern bathroom designs, proving that luxury and sustainability can coexist.

Considering the lifespan of materials

Selecting long-lasting materials is another pillar of environmental aesthetics. Choosing high-quality, durable materials ensures that a space remains timeless and functional, minimising the need for replacements over time. This approach is not only environmentally responsible but also cost-effective, providing clients with spaces that stand the test of time while reducing waste.

Avoiding intricate decorations

Simplicity is often a hallmark of sustainable design. By opting for straightforward designs, designers can avoid excessive use of resources and materials that don’t add meaningful value to the overall scheme. Minimalist, clean lines and purposeful details contribute to a design that is both beautiful and sustainable, proving that less can indeed be more.

Considering the entire lifecycle of items

A true commitment to environmental aesthetics means considering the entire lifecycle of materials and furnishings. Designers can minimise waste by choosing items with resale potential, such as kitchens that can be reused or rehomed, or by upcycling existing furniture to breathe new life into old pieces. This approach not only reduces waste but also offers a personalised touch that makes the space unique.

The responsibility of interior designers in sustainable design

While this is not an exhaustive list, it illustrates the extent of an interior designer’s influence over environmental impact. From material selection to energy efficiency and sustainable waste practices, each choice contributes to a design that is thoughtful, beautiful and planet-friendly. Through environmentally aware design, we can create spaces that honour both our clients’ vision and our commitment to a more sustainable future.

Bringing nature indoors

Tue, 29 Oct 2024 12:51:45 GMT

How nature inspires colours, shapes and textures in interior design

Incorporating elements from nature into interior design isn’t just a passing trend; it’s an approach that creates timeless, calming and inviting spaces that truly make a house feel like home.

Nature-inspired interiors draw from the natural world’s vast palette of colours, shapes and textures to craft spaces that nourish the senses and promote a sense of well-being. Embracing biophilic design goes beyond aesthetics—it can have positive effects on mental health, helping to create healthier, more balanced homes.

Here’s how nature can be the perfect inspiration for your next design project and how you can embrace biophilic principles in your own home.

Colours: Earthy tones and natural palettes

Nature’s colour palette is vast and varied, but earthy tones and soft greens are often the foundation of a nature-inspired design. Colours such as forest green, muted blues, sandy beiges, and rich terracotta can instantly bring the calm of the outdoors into any room. These hues are known for their calming properties, mimicking the colors found in forests, oceans, and fields, which can help reduce stress and promote relaxation.

Incorporating splashes of botanical colours, like the vibrant hues of flowers or deep forest greens, can add dynamic elements to a space without overwhelming it. A wall painted in a soft sage green or accented with blush tones, for instance, can provide a subtle nod to the natural world, creating a soothing yet sophisticated backdrop for other design elements.

Shapes: Organic curves and flowing lines

Natural shapes rarely include rigid, straight lines. Instead, think of the soft curves of a river, the organic shapes of leaves, and the gentle flow of wind. Incorporating curved furniture, such as rounded sofas or circular tables, can soften a space, making it feel more inviting and comfortable.

Consider architectural features or decorative accents that mimic organic forms, like arched doorways, circular mirrors, or irregularly shaped wall art. These elements bring a sense of harmony and balance, encouraging relaxation and a connection to the organic world outside.

Textures: Raw materials and natural finishes

Texture plays a vital role in nature-inspired design, adding depth and interest to a space. Raw, natural materials—such as stone, wood, and woven fabrics—can help create a tactile experience that feels grounded. A natural stone splashback, a wooden dining table with visible grain, or jute rugs can bring warmth and authenticity to a room.

Textured materials often wear beautifully over time, reflecting the aging processes found in nature. Linen curtains, woollen throws and ceramic pottery are excellent choices for layering textures that add both comfort and character.

Embracing biophilic design for healthier homes

Biophilic design, which focuses on integrating natural elements into our living spaces, is more than a design trend; it’s a way to improve mental well-being. Studies show that contact with nature reduces stress, boosts mood and enhances creativity. By designing spaces that incorporate nature directly—think indoor plants, water features, or even just natural light—you can create a sanctuary that promotes both physical and mental health.

Greenery is a key component of biophilic design. Indoor plants not only purify the air but also provide an immediate connection to the outdoors. Large leafy plants, like fiddle leaf figs, or trailing pothos add a lush, living element to your space. Position them in areas where they’ll thrive, like near windows or in well-lit rooms, and create small “green corners” that can serve as a retreat within your home.

Natural lighting is also critical; maximise sunlight by using sheer curtains and placing mirrors strategically to reflect natural light around the room. If sunlight is limited, try using warm-toned bulbs to replicate natural daylight and create a cosy atmosphere.

Create your own nature-inspired retreat

Incorporating nature into your home’s design is not just about style—it’s about creating a retreat that supports your well-being and mental health. By thoughtfully blending colours, shapes and textures inspired by nature, and integrating biophilic elements, you can create a healthy, inviting and balanced space that feels like a breath of fresh air.

Not sure where to start? Why not book a consultation?

Navigating the red tape wrapped around the renovation of heritage buildings

Mon, 02 Sep 2024 11:15:25 GMT

Renovating Heritage Buildings Made Simple

Renovating a heritage building is a unique journey filled with challenges and rewards. When it comes to properties with listed status, understanding the rules and regulations is crucial to ensuring a smooth renovation process.

Here’s what you need to know to navigate the red tape:

1. Understand the Difference: Planning Permission vs. Listed Building Consent

Most building projects will require planning consent from the local planning authority, especially for changes to the structure or use of a building. However, if your property has listed status, you’ll likely also need Listed Building Consent. It's important to note that these are two separate permission processes:

Planning Permission: Covers general building work or changes to the use of a property.
Listed Building Consent: Focuses specifically on any alterations that could affect the character or special architectural or historic interest of a listed building.

For some projects, you may need both types of permission. In other cases, only one or neither may be required.

2. Know What Repairs Require Consent

Routine maintenance using traditional materials typically does not require consent unless the work affects the building's character or fabric. However, if you’re unsure, consult with your local planning authority’s conservation officer. They can provide guidance on what is acceptable and help you avoid unnecessary complications.

If your home is listed, anything on your land is also considered listed, even the shed, and so is subject to the same consent.

Listed buildings may be eligible for repair grants from organisations like English Heritage or the Heritage Lottery Fund. Many councils offer a paid consultation service to help you through the process.

3. Balance Preservation with Modern Living

Renovating a heritage building means finding a delicate balance between preservation and adaptation. The goal is to integrate modern conveniences while retaining the historic charm of the property. This often involves making compromises between modern needs, honest restoration practices and safeguarding the building for the future.

Buildings are often listed because they are an integral part of our community and human story. When considering your renovation, it's important to understand the history of your building. Old floor plans, local authority archives and old maps can provide valuable insights into the history of the property. They help uncover the original story and guide the restoration process.

Take the First Step with Confidence

Renovating a heritage building may seem daunting, but with the right knowledge and support, it can be a highly rewarding process. Remember to consult with your local conservation officer, explore funding options, and gather as much historical data as possible to guide your decisions.

If you’re considering renovating a heritage building in Surrey, Hampshire, or Sussex, contact us today - whether you're looking for guidance on how to research your property, want ideas on what you can achieve, or you're looking for an interior designer who works alongside architects specialsing in heritage buildings, helping you to navigate the complexities of heritage renovations inside and out.

We’d love to help bring your vision to life.

A home with heritage

Mon, 22 Jul 2024 11:26:42 GMT

How to buy a listed building without the headaches

Investing in a listed property can be a dream come true for many. Listed buildings, often steeped in history and architectural charm, are indeed alluring. However, they come with a unique set of considerations that can significantly impact your investment, or cause an endless headache if not addressed properly.

According to a recent article in The Times, properties with a listed status are, on average, worth 50 per cent more than their unlisted counterparts. This premium valuation reflects the unique heritage, architectural significance, and often, prime locations that listed properties boast. Owning a piece of history can be incredibly appealing, offering not just a home, but a tangible connection to the past.

However, this premium comes with strings attached. The increased value of listed properties often translates into higher purchase prices and maintenance costs. The financial commitment doesn't end at the point of sale. Listed properties are subject to stringent regulations that govern any alterations, repairs or renovations. This can limit your ability to make changes to suit modern living needs or personal preferences. Moreover, obtaining the necessary permissions can be a lengthy and costly process.

Research from Upstix highlights that while the market value of listed homes is significantly higher, the hidden costs can be substantial. Restorations must adhere to strict guidelines to preserve the building's historical integrity. This can involve sourcing specific materials or employing specialised craftsmen, which can dramatically inflate costs. Additionally, the energy efficiency of older buildings is often lower, potentially leading to higher utility bills.

Potential buyers should also be aware of the legal obligations associated with listed properties. Failure to comply with the conservation requirements can result in hefty fines or even legal action. Carrying out work on a listed building without consent is a criminal offence. It's essential to factor in these ongoing responsibilities and potential costs when considering such a purchase.

The prestige and historical significance come at a cost—both financial and in terms of the restrictions imposed. Engaging architects, builders and interior designers with the right specialist skills will help you to create an action plan that avoids costly pitfalls, and keep you on the right side of the law.

While the charm and value of these properties are undeniable, being fully aware of the additional responsibilities and hidden dangers is crucial to making an informed decision.

At Home by Design specialises in the renovation and extension of heritage homes in the South-East, working alongside architects Nye Saunders, who have a wealth of knowledge in this field. We’d love to hear from you if you’d like to find out more.

Framing your world

Mon, 08 Jul 2024 14:36:58 GMT

How to dress tricky windows

Emphasising the Unique Shape

If privacy is a concern or if you need to manage light levels, consider solutions that emphasise rather than obscure the unique shape of your windows. Here are a few options:

Custom Shutters: Shutters can be custom-made to fit any window shape, providing a tailored look that complements the window's design. They offer excellent light control and privacy while maintaining the architectural integrity of the space. Opt for materials and colours that align with the period of your home for a cohesive look.
Shaped Blinds: Similar to shutters, blinds can be custom-made to fit unusual shapes. Whether you choose Roman blinds, cellular shades or pleated blinds, the key is to select a style that enhances the window’s shape rather than concealing it. These can be particularly effective for circular or arched windows.
Stained Glass: For a truly unique approach, consider installing stained glass. This solution not only preserves the window’s original shape but also adds colour and artistry to the room. Stained glass is particularly fitting for period properties, or when presented as a piece of art, and can be a stunning focal point.
Decorative Film: Window films come in various designs and can be cut to fit any shape. They provide privacy while allowing light to filter through and can be an excellent temporary solution for renters.

Another clever approach is to use layered treatments. For instance, a shaped shutter or blind can provide privacy while a lightweight sheer drape, carefully hung to fall away from the edges, softens the look and adds elegance without concealing the architecture. This layering allows you to adapt light and privacy levels while still honouring the unique form of the window.

For very tall or double-height windows, consider using motorised blinds or discreet ceiling tracks. These not only make daily use practical but also allow the window treatment to disappear completely when not needed, perfect for maintaining clean architectural lines in period properties.

Preventing Issues from the Start

The best way to prevent issues with unusually shaped windows is to engage an interior designer during the planning stage of your home build or renovation. By working closely with the architect, an interior designer can ensure that space and window planning are considered from the outset. This collaboration avoids the compromises that often occur when interior design is treated as an afterthought. Just as you wouldn't build a house without an architect, involving an interior designer early on ensures that the layout, functionality and aesthetic appeal of your home are optimised.

Don’t forget to think about the exterior view. Unusual windows often look just as striking from outside as they do inside. Choosing solutions that enhance both perspectives, such as shutters painted in a heritage colour or stained glass that glows at night, ensures your home has kerb appeal as well as interior charm. The solution could even be as simple as choosing a coloured or patterned lining. In listed or conservation properties, sympathetic choices also help preserve the historical character while adding modern functionality.

If you'd like more advice on curtains in particular, you might like to read this blog post: Choosing the Perfect Curtains in Six Steps

Don’t let window planning be an afterthought in your home design. Book a consultation with us today to find out how we can help you integrate beautiful, functional solutions for your windows and overall interior design. We love to create spaces that not only looks stunning but also enhance how you live, feel and use your home every day.

Harnessing the power of colour psychology for stunning interiors

Tue, 25 Jun 2024 11:19:32 GMT

Unlock the secret to a health, happy, harmonious home

Colour is more than just a visual experience; it's a powerful tool that can shape our emotions, influence our behaviours and transform spaces.

In interior design, understanding colour psychology—the study of hues as a determinant of human behaviour—can elevate your home from merely aesthetically pleasing to deeply functional and emotionally resonant. Let’s delve into how you can harness the power of colour psychology to create spaces that not only look beautiful but also feel right.

The Basics of Colour Psychology

Colour psychology is rooted in the idea that colours evoke specific responses and emotions. This concept has been used in various fields, from marketing to therapy, and is especially impactful in interior design. Here’s a brief overview of what different colours can evoke:

Red: Energetic and stimulating, red can increase heart rate and create excitement. It's great for social spaces like dining rooms but can be overwhelming in large amounts.
Blue: Calming and serene, blue is ideal for bedrooms and bathrooms. It promotes relaxation and tranquillity, making it perfect for creating a peaceful atmosphere.
Yellow: Cheerful and uplifting, yellow can make spaces feel brighter and more welcoming. It’s excellent for kitchens and dining areas but should be used sparingly to avoid feelings of anxiety.
Green: Balancing and refreshing, green is associated with nature and brings a sense of calm and renewal. It works well in almost any room, offering versatility and harmony.
Purple: Luxurious and sophisticated, purple can add a touch of elegance and creativity to a space. It's well-suited for bedrooms and living areas where you want to make a bold statement.
Neutral Colours (White, Grey, Beige): These colours provide a backdrop that allows other colours to shine. They are essential for creating balance and can make spaces feel larger and more open.

Applying Colour Psychology in Your Home

When designing interiors, it’s crucial to consider both the function of the space and the psychological impact of the colours you choose. Here are some tips to help you apply colour psychology effectively:

Identify the Purpose of Each Room: Start by considering the primary function of each room. For instance, a bedroom should be restful and calming, making blue or green an ideal choice. Conversely, a living room might benefit from warmer, more inviting tones like yellow or orange.
Balance and Contrast: While it’s tempting to stick to a single colour palette, using a mix of colours can create depth and interest. Balance bold colours with neutrals to prevent overwhelming the senses. Contrast can also define spaces and highlight architectural features.
Consider Lighting: Natural and artificial lighting can significantly affect how colours appear in a room. Test your colour choices under different lighting conditions to ensure they evoke the desired emotions throughout the day.
Personal Preferences and Cultural Significance: Personal experiences and cultural backgrounds can influence colour preferences. Tailor your choices to what feels right for you and your family, considering any specific meanings or memories associated with certain colours.

Book Your Colour Consultation Today

Transforming your space with the right colours can profoundly impact your well-being and quality of life. As an experienced interior designer with a speciality in colour psychology, I can help you choose the perfect hues to create harmonious, inspiring interiors tailored to your needs.

Ready to see how colour can enhance your home? Book a colour consultation today and start your journey towards a more beautiful, balanced living space.

Enhancing spaces

Wed, 05 Jun 2024 15:25:04 GMT

What do interior designers actually do & what am I buying?

When it comes to transforming your living or working spaces, interior designers offer a comprehensive suite of services that go far beyond what you might expect from an interior decorator. While both professionals play important roles in beautifying interiors, the scope and depth of their work differ significantly. Let’s dive into the extensive range of services provided by interior designers, which support a project end to end.

Space planning and layout design

Interior designers start by assessing the layout of a space, optimising it for both functionality and aesthetics. They ensure that the space is used efficiently and that the flow of movement within it is natural and intuitive, suitable for the tasks of the room.

Concept development

A core part of the job is to develop initial design concepts. These concepts are based on a thorough understanding of the client's preferences, needs and budget, laying the foundation for the entire project.

Furniture selection and customisation

Interior designers recommend, source and even customise furniture pieces to fit the overall design scheme. This ensures that every piece not only matches the aesthetic but also serves a functional purpose.

Colour consultation

Choosing the right colours can make or break a design. The right colour palettes can create the desired mood, whether it’s a calming blue for a bedroom or a vibrant red for a dining room.

Material and finish selection

Selecting appropriate materials and finishes is crucial for surfaces, furniture and decor. Interior designers have the expertise to choose materials that are both beautiful and durable.

Lighting design

Lighting can dramatically alter the ambience of a space. It’s important to plan and specify lighting fixtures and layouts to enhance both the aesthetics and functionality of the space.

Kitchen and bathroom design

Specialised spaces like kitchens and bathrooms require careful planning of layout, cabinetry, fixtures and finishes. Bespoke design ensures they are both practical and stylish.

Window treatment design

From curtains to blinds, interior designers select and design window treatments that add to the overall design while providing necessary privacy and light control.

Custom cabinetry design

Bespoke built-in cabinetry can transform a space. A designer’s custom creation need to fit specific needs and enhance the overall look.

Art and accessory selection

The right art and accessories can tie a design together. With knowledge of off the high street companies, designers have access to a wider choice of providers and artists. By styling and placing these items thoughtfully they complete the aesthetic vision.

3D visualisation and rendering

To help clients visualise the final result, interior designers create detailed 3D visual representations of the proposed design. This helps clients make informed decisions and adjustments before the actual implementation.

Project management

Managing a design project from start to finish involves coordinating with contractors, vendors and craftsmen. An interior designer’s role is to oversee this process to ensure the delivery marries with the intended vision.

Renovation and remodelling consultation

For spaces that need structural changes or updates, interior designers provide expert advice on how to improve functionality and aesthetics through renovations or remodelling.

Home staging

Preparing homes for sale involves enhancing their appeal to potential buyers, maximising their attractiveness and value.

Ergonomic and accessibility design

Ensuring spaces are comfortable, efficient and accessible for all users, including those with disabilities, is a key consideration.

Branding and themed interiors

In commercial spaces, interior designers develop design concepts that reflect a brand's identity or specific themes, creating an environment that aligns with the business’s goals and image.

Consultation services

Beyond executing designs, interior designers offer consultation services, providing advice based on expertise and experience on design-related issues, and offering second opinions on client-generated ideas. Whether it’s eco-friendly design or renovation of heritage buildings, interior designers can specialise in many different areas.

It’s important to note that what you’re buying is a service - design experience and knowledge as well as creativity. You’re not always buying the end result but rather an end-to-end service.

You’re buying someone’s time and the value of that time is reflected in the price. Interior design is a luxury service, so the beautiful, fitted shelving you have at the end of the project will not be cheaper than buying something from a shop. In the same way, putting a flat-packed kitchen together yourself is cheaper than employing someone who has spent time understanding your brief, your needs and the space to create something bespoke, looking after the drafting, fabrication and installation.

While interior decorators focus primarily on the aesthetics of a space – choosing colours, furnishings and accessories – interior designers offer a more holistic approach. They handle everything from space planning and structural considerations to project management and sustainability. This comprehensive service ensures that every aspect of the design is well thought out and executed, resulting in spaces that are not only beautiful but also functional and efficient.

Need to know more?

If you're looking for some inspiration and don't know where to start, why not book a consultation?

During this 90 minute (or so) meeting, we talk about a whole range of things relating to your project – e.g. scope, lifestyle, functionality, budget, aesthetic and so on. You'll come away with lots of initial ideas and inspiration.

The Joy of Heritage Buildings

Mon, 13 May 2024 15:32:49 GMT

How history enhances interior design and happiness

In the bustling world of interior design, where trends come and go like seasons, there's one timeless element that never fails to captivate: heritage buildings. Steeped in history, these architectural marvels not only tell tales of bygone eras but also possess a unique charm that can elevate your mood and contribute to your overall happiness.

Research conducted by Historic England sheds light on the profound impact that heritage buildings can have on our well-being. According to their findings, people living in areas with a rich architectural heritage tend to report higher levels of life satisfaction and happiness. But what exactly is it about these historic structures that evoke such positive emotions?

One key factor lies in the sense of connection they offer. Heritage buildings serve as tangible links to our past, reminding us of the generations that came before us and the stories they left behind. This connection to history fosters a sense of continuity and belonging, which are essential components of psychological well-being.

Moreover, the intricate craftsmanship and attention to detail found in heritage buildings often evoke feelings of awe and admiration. From ornate mouldings to hand-carved woodwork, these architectural features showcase the skill and dedication of craftsmen from centuries past. Surrounding oneself with such beauty can instill a sense of pride and appreciation for the cultural heritage that enriches our lives.

But it's not just about aesthetics. Historic buildings also offer practical benefits that contribute to our happiness. Many heritage properties boast spacious layouts, high ceilings, and ample natural light—design elements that have been shown to promote feelings of openness and tranquility. Additionally, the solid construction of these buildings often provides better sound insulation, creating quieter and more peaceful living environments.

Incorporating elements of heritage design into modern interiors can be a transformative experience. Whether it's preserving original features or incorporating vintage furnishings, paying homage to the past adds depth and character to any space. By embracing the timeless beauty of heritage buildings, we not only enrich our surroundings but also nourish our souls with a sense of connection, beauty, and well-being.

So, the next time you step into a historic building, take a moment to appreciate the history and heritage that surrounds you—you might just find that it brings a smile to your face and joy to your heart.

Renovating historic houses

Mon, 22 Apr 2024 16:09:02 GMT

Does renovating a derelict historic building create a Trigger's broom scenario?

Here’s a question for you:

Should a derelict historic building be renovated and brought back to life, or do we get stuck in the Trigger’s broom scenario where nothing is authentic or original?

There’s no easy answer I’m afraid. Each case needs to be decided on merit. We can’t preserve everything in aspic, but we can’t let things crumble either.

Essentially, every building needs a purpose. That could mean that it’s open to the public to enjoy, helping us to understand the evolution of design, taste, lifestyle and the foibles of human life.

It could mean adding a modern extension or link, juxtaposing two periods in history, something for future generations to engage with.

The National Trust is taking another approach. Clandon Park, near Guildford, was ravaged by fire in April 2015. The damage was so extensive that to rebuild it would mean little of the original 18th century structure would be intact.

However, the fire stripped the building back, exposing a stone and brick skeleton, highlighting how grand houses were designed and created.

Tiny fragments of previous interior styles were discovered including a 18th century wallpaper hidden under a picture rail, and vibrant blue paint on panelling. By analysing these wallpaper and paints, conservationists can develop a fully picture of how the house was decorated, how it was used and the tastes of the people who lived there.

The Clandon Project now seeks to create a living building. Instead of restoring the structure completely, the aim is to provide a backdrop for displays, events and activities.

Currently an empty shell, the National Trust aims to create new walkways and staircases between the different levels, offering unique views of the structure, as well as a roof terrace overlooking the grounds.

For more information, please visit the National Trust website.

If you live in a heritage property and would like advice on how to renovate or restore your property, please drop us a line . We’re passionate about history and would love to chat.

Are you human?

Wed, 03 Apr 2024 14:15:53 GMT

Why historical interior design is important

Most people think they know what interior design is. Splash a bit of paint on the wall and Bob’s your uncle. Many of you will have heard me bang on about the interior design process from architectural idea through analysis to lighting plans, cabinetry design and room schemes. You can see the results.

But what can historical interior design tell us about our homes and places of work?

Interior design story dates back as far as the history of man.

It’s therefore fitting that the Middle English word “story” derives from the Latin word historia, means both "history" and "story". ( Vocabulary.com 2024)

Although the noun “interior design” wasn’t coined until the 1927, in the writings of TP Bennett (OED, 2024), the need to design one’s interiors has been as much about finding solutions to the needs of man, as it has been about creating something beautiful.

Maslow’s Hierarchy of Needs shows us that there are five levels of human needs: physiological, safety, love/belonging, esteem and self-actualisation. These form a pyramid. The next level up in the pyramid cannot be obtained until the lower level has been satisfied or addressed. ( simplypsycology.org . 2024).

The lowest, basic levels include shelter and safety, elements that are addressed on some level by interior design. The more advanced society has become, the more developed interior design has become, moving from simply addressing the necessity of shelter, to comfort and even esteem.

Interior design has always been influenced by the past and our heritage. Themes and styles have sometimes developed over a linear path, as well as co-existing side by side, and being reinvented centuries later. (Gilliatt, 2005).

Although there may be four main influences (Classical, Gothic, Baroque and Rococo), there are hundreds of themes that weave in and out.

For example, the Victorians repurposed the romantic Gothic style of the Middle Ages to show opulence, drama and an ecclesiastical flavour.

Looking through rose-coloured spectacles, the Arts and Crafts movement reacted to the increased industrialisation of the world, by shining the spotlight back on artisans and craftsman.

Interior design nostalgically reflects inspiration from the past, paying reverence to the religious or political through its symbolism, paying homage to guests through its comfort, uniting communities with its themes, demonstrating the development of technology through its creativity, as well as illustrating disposable income and social mobility.

The story of interior design has moved from necessity through more frivolous fashions, to today’s standards, where we can argue that it has the power to design out problems and challenges. It can make our lives easier, as well as making us feel more human, by reflecting our personalities and offering comfort.

Essentially, it’s the story of human development, and is therefore historically important as it highlights what it is to be human.

If you live in a heritage property and would like to know how specialist interior design can help you, please drop us a line or book a consultation.

Finding interiors inspiration from architecture

Wed, 27 Mar 2024 17:26:02 GMT

Finding inspiration from Sir Edwin Lutyens

One question I get asked a lot, is where I get inspiration from.

There are so many ways to answer that, as inspiration is everywhere. But I’m going to start with architecture. Afterall, the design of a building, and the placement of the windows and doors, have a huge impact on the interiors.

Let’s start locally. Sir Edwin Lutyen’s work can be seen all over Surrey, and as far afield as India. Today I discovered he designed the Arras Memorial in France, the walls of which are carved with 35,928 names of fallen servicemen from the Western Front, including my great, great uncle.

Lutyens family moved to Thursley, in Surrey, when he was a young child. One of 13 children, Ned, as he was known, was the only one not to go to school as he suffered from rheumatic fever. At 16 he went to the South Kensington School of Art to study architecture.

With little professional experience, he went on to set up his own practice, receiving his first commission in 1889, aged 19 (Crooksbury House near Farnham).

From the Tilford Insititue and Farnham Liberal Club, the Red House in Godalming and the chancel screen at Busbridge Church, there a lot to see locally, before you even get as far as the Cenataph in Whitehall, or the architecture of New Delhi.

And let’s not forget the Lutyen’s garden bench, the Thakeham Seat. Every time you sit on one you’ll now remember this Surrey gem.

For more information have a look at the Lutyens Trust.

➡️ We’ve just written a guide, which you may find helpful if you’re renovating or building an extension. It’s available for free. Just contact us.

Myth busting: Do you really save money by not employing an interior designer?

Tue, 19 Mar 2024 12:08:16 GMT

Myth: Interior designers are expensive.

Truth: Interiors are often thought about too late. This pushes up costs.

I’ve often marvelled at the thought process people go through when they renovate or build an extension. They know they need an architect to help them. They know they need a builder and the trades to fix the plumbing and electrics. They don’t think they need an interior designer. They think that by not employing one they are saving money.

The funny thing is, when you think about renovating or building an extension you often dream about how you’re going to live or work in the building. You think about the interiors.

However, most people only employ experts who help them with the exteriors or hidden elements.

Then one of two things happen:

The build nears completion and they panic that they haven’t been able to choose all the interiors. They are overwhelmed and paralysed by choice. They can’t visualise how everything fits together;
They think the decoration element is the easy bit so don’t think they need an interior designer.

An interior designer can certainly help in these scenarios, but by the time the build is near completion it’s almost too late. Interior designers don’t just create decorative schemes. They design.

The operations of architects and interior designers go hand in hand. When an architect plans a window, door or internal wall it has a real impact on how the interiors can be used. An interior designer works closely with architects to ensure that the interiors and exterior dovetail together.

The interior designer will plan the space, based on how the clients want to use it. This means ensuring windows, doors and internal walls are in the right place, along with sockets, light switches, cabinetry, etc. It means the rooms work with the style and size of furniture. Only once the space analysis is complete, does it mean creating the visual impact in terms of furniture, fixtures, fittings and colours.

It also means developing a road map that will help you tender the project to builders. Along with the architect’s plans, it gives a complete package so a builder know what he’s quoting for. It means he doesn’t have to guess, or add a huge buffer into the quote. It ensures costs don’t continue to rise because the brief has changed.

This is particularly important for heritage or older buildings. Understanding the restrictions of what you can and can’t do is important. While there aren’t usually restrictions altering unlisted buildings, it’s worth considering the original features before you rip them out. Not only could it affect the price of the property, but it’s part of the integrity and history of the building.

That’s not to say we have to preserve everything in aspic. Listed status is a not a preservation order, although it does mean consent is required in order to make changes that will affect the character of the building.

Buildings need to stand up to the challenges of modern living and working. Architects and interior designers can offer advice on how to maximise the potential of your property, and how to get the best out of the features.

When it comes down to saving money on a renovation or build, sometimes it more cost effective to engage experts who can help you do that.

➡️ We’ve just written a free guide, which you may find helpful if you're renovating or building an extension. Contact us to find out more.

Stories from the past

Fri, 08 Mar 2024 11:17:51 GMT

Learning from historic design heros - Syrie Maugham

This year’s International Women’s Day is about inspiring inclusion, so I thought I’d shine a spotlight on the incredible women who help shape the work of interior design.

For an interior designer who loves colour, I’m stepping out of my comfort zone here, by applauding the work of Syrie Maugham, known for her entirely white interiors. I have to admit white interiors make me nervous, but that's probably because I have two teenagers who like chocolate! However, I understand why Syrie chose this style, and the narrative behind her work.

- She was an Edwardian balking at cluttered and overly stuffed Victorianism.

- She was a women who refused to be defined by the men in her life - her father, Thomas Barnardo, founded the children’s charity that still bears his name.

- She chose her own path. She was engaged by the time she was 16 but broke it off when she realised her fiancé had a mistress. She met Henry Wellcome, the pharmaceutical entrepreneur, who was 26 years her senior. They married when she was 22.

- She courted controversy. She embarked on an affair with the novelist and playwright William Somerset Maugham, who was mainly interested in men, marrying him when she became pregnant, to give her daughter respectability.

Strange as it may seem, these experiences inspired her interiors business. With Maugham’s attentions employed elsewhere, she started painting and re-upholstering furniture, which she then sold. From these humble beginnings, her interiors business grew during the ‘20s and ‘30s.

Nearly a century ago, Syrie declared that women in business should be taken seriously, in a newspaper column titled “Back to Real Womenhood”. I’m inspired by her determination and business drive (although her personal life sounds like a headache!).

It’s a shame her name is not remembered more widely, despite the impact her interiors made to the design sector. I bet you can’t name many female entrepreneurs even now.

Preserving the Past for the Future

Tue, 27 Feb 2024 15:11:32 GMT

Can interior designers help protect heritage buildings?

Living in the Surrey Hills, I can cycle past umpteen houses designed by Edwin Lutyens, and hundreds more in an Arts and Crafts or older style.

The county has more than 6,000 listed buildings, including more than one hundred Grade I premises.

To bring that to a local level, I live in a rural parish, a collection of villages and hamlets, along with 8,000 others. We have 100 listed buildings on our doorstep. And there are plenty of beautiful old buildings that aren’t listed - including some of those designed by Lutyens.

So why, as an interior designer, would I be interested in the exterior of a building?

Heritage buildings are not just bricks, stone and mortar. They are a record of our history and culture. They bear the scars of how we live. They are a catalogue of craftmanship and artisan ability. They are a testament to skills and jobs from bygone years.

Heritage buildings are irreplaceable cultural assets, but the pages of history don’t help us to house a growing population. We can’t preserve our past in aspic.

So we are presented with a unique challenge of safeguarding the beauty of these older buildings, while creating interiors that live up to the challenges of contemporary living. Let them deteriorate and crumble, and we create other social issues, including anchors to our collective identity and culture. Striking this balance can be a complex task that demands expertise in both architecture and interior design, including:

Sensitive Restoration: Interior designers work hand-in-hand with architects to ensure that any restoration efforts respect the original design, materials and craftsmanship of the building. They help revive historic interiors, breathing new life into spaces while maintaining authenticity.

Adaptive Reuse: Rather than letting heritage buildings fall into disrepair, interior designers excel at finding creative ways to repurpose them for contemporary use. Whether transforming an old warehouse into a vibrant office space or converting a historic home into a boutique hotel, their expertise ensures a seamless blend of old and new.

Incorporating Modern Amenities: Heritage buildings often lack the modern amenities required for today's occupants. Interior designers skillfully integrate these elements, such as updated lighting, climate control and technology infrastructure, without compromising the building's historic charm.

Cultural Sensitivity: A deep understanding of the cultural context and historical significance of a building is crucial. Interior designers collaborate with historians and preservation experts to ensure that design choices align with the building's heritage and contribute to its storytelling.

Preserving heritage buildings is a collective responsibility that requires a multidisciplinary approach. Interior designers, with their unique blend of artistic vision and practical expertise, stand as essential contributors but don’t work alone. Via a thorough understanding of the delicate balance between history and modernity, interior designers help ensure that our cultural treasures continue to stand the test of time for future generations to appreciate and cherish.

Looking to restore your own slice of history? Why not book an interior design consultation to get you started.

In the pink - should you jump on the Barbiecore bandwagon?

Fri, 09 Feb 2024 12:42:12 GMT

Should you ever follow interior design trends?

Controversial answer coming up: No.

And that’s the shortest blog post ever!

Seriously though, what is the point of a trend? Let’s take Barbiecore. It’s temping to want to join in the fun, to be part of the crowd, but following a trend doesn’t help you to stand out.

It stifles creativity. It turns everyone into sheep. It does little to reflect your personality. It rarely addresses the challenges you have with your home, office or business.

Don’t get me wrong. There’s nothing nicer than sitting down with an interiors magazine and a lovely cup of coffee. There’s lots of great inspiration right in front of you.

However, it’s easy to get stuck in the trap. The magazine articles are supposed to give you ideas. They shouldn’t make you feel guilty that your home or business isn’t up to date and on trend.

Let’s look at the role of the interior designer. A good designer is like your shrink or doctor. They listen to the challenges, problems and issues you face. They hold up a mirror to ensure the bespoke designs they create fit with who you are and your needs. And they bring it all together with practical solutions that suit the way you use your spaces.

In summary, they…

Make you feel at home, at peace, energised, or however you want to feel;
Provide solutions to various challenges such as storage, acoustics, layout or lighting;
Look holistically at the entire space, to create flow;
Create bespoke designs that ooze personality and reflect your brand.

There isn’t a one size fits all design solution, so why would we do anything more than take a glance and be aware of the trends, while ensuring your designs are not off-the-shelf solutions. Our spaces are an extension of who you are, how you want to feel and how you want others to see you. That is relevant to your home as well as corporate spaces, which demand that environments are an embodiment of your brand.

So if you’re approaching a refit, extension, new build or revamp contact me to find out how bespoke interior design could help your spaces to be unique. Maybe it’s a prescription for starting a trend instead of following one?

Winter psycolourgy

Tue, 23 Jan 2024 12:54:22 GMT

How colourful interiors can help with your winter blues

We know that colour holds a powerful influence over our emotions, behaviours and overall well-being. We all know our favourite colour, and the colours we hate.

The psychological impact of colour in our living and working spaces is particularly significant, especially in regions like the UK where Seasonal Affective Disorder (SAD) can cast a shadow on our motivation, mood and energy levels. In this blog post, we delve into the fascinating world of colour psychology and explore its role in mitigating the effects of SAD through thoughtful interior design choices.

What is Seasonal Affective Disorder?

Low light levels, due to shorter days, a lower sun and cloudy winter weather, can create a specific depression typified by low energy levels, mood swings and a general sense of lethargy. Interior design plays a crucial role in mitigating these effects by incorporating colours that emulate the positive aspects of natural light.

Understanding Color Psychology

Colour affects human emotions, perceptions and behaviours too. They evoke distinct and strong psychological responses. So when developing a colour scheme for a room, it isn’t as simple as choosing something pretty. Interior designers have a responsibility to their clients, choosing colours that cater for their mental and emotional needs. So, taking a step back from the decorating phase of a project, developing a good relationship and getting to know my clients is probably the most important element of any interior design project.

Understanding SAD and colour psychology means the solution isn’t as simple as slapping some warm, cosy colours on the wall. Depending on the mental struggles clients face, often cool colours, such as blues and green, can create a soothing environment evoking feelings of calmness and serenity.

Top tips

Here’s just a few things you can consider when choosing a scheme to help banish the winter blues.

Opt for Natural Elements: Colours found in nature, such as earthy browns, greens and blues, can have a grounding effect and mimic the serenity of the outdoors. Incorporate these tones through furniture, artwork or even indoor plants to promote a connection with the natural world.

Maximise Natural Light: Lighter colour schemes, including pastels, can enhance the perception of natural light within a space. Ensure that windows are unobstructed and curtains can be stacked back to maximise the light entering the room. Be careful not to use too much white, which can be sterile and cold.

Balance cool and warm tones: Striking a balance between cool and warm colours can create a harmonious atmosphere. While warm tones infuse energy, cool tones contribute to a calming environment, providing a holistic approach to combating SAD.

Integrate rich tones: During the darker months, infusing interiors with warm, rich colours can bring a sense of vibrancy and create a cosseting feeling. Consider incorporating warm-toned accessories, textiles or ornaments, which can be toned down when the weather gets warmer.

The psychology of colour in interior design is a powerful tool that can significantly impact our mental well-being, especially for clients prone to Seasonal Affective Disorder. By carefully selecting and integrating colours that evoke positive emotions, designers can transform living and working spaces into havens that uplift moods. As we navigate the seasons, let our homes become sanctuaries where the thoughtful use of colour contributes to a brighter, more vibrant outlook on life. And let our working spaces become destinations we want to go to, spaces to be creative and productive.

If you’re stuck in a kaleidoscope of colour, or need help with your interior project, why not book a consultation ?

5 reasons an interior designer can help you

Mon, 15 May 2023 14:45:42 GMT

So why do you need a designer?

Most of us know whether we like colours or neutrals. Most of us know whether we like a minimalist or a maximalist scheme. Most of us know what we like and what we don’t.

A trained interior designer has the experience and skills to create spaces that look great, and are functional. A successful end result depends on optimal furniture layout, the right lighting, and the selection of harmonious colours, textures and patterns. But it’s not all about aesthetics. The process starts before the builder walks through the door. Here’s a list of skills and services an interior designer should offer:

• Supports clients in nailing down design goals and requirements;

• Analyses the use of the space, and draws initial sketches to help brief architects;

• Work with architects, builders and trade professionals to ensure the goals are achievable and meet planning and building regulations;

• Create a design concept, which is further developed to include sketches, samples and other elements to help a client visualise a space;

• Designs cabinetry and furniture, recommends suitable fixtures and fittings;

• Creates supporting documents for the builder to assist project management of the process.

It’s not an exhaustive list, but it gives you an idea. It’s not just about the colour of the paint!

So, starting at the beginning, it’s really important that architects and interiors designs work hand in hand. While architects may primarily look at the outside of a building, their designs have a huge impact on the internal space, for example, where windows and doors are placed. And although interior designers primarily look at the internal space, moving internal walls, windows and doors to meet a client’s design requirements, has a huge impact on the external look of a build.

Here's five reasons an interior designer will be able to help your build or renovation:

1. Save you money: Although hiring an interior designer is an expense, they will be able to create designs that suit your brief, preventing expensive mistakes and providing access to trade-only providers.

2 . Save you time: Interior designers take the project management hassle off you. They use their industry contacts and knowledge to short-cut the time you spend searching for the perfect sofa. There is an exhausting range of options out there, so your interior designer will be able to create a clear vision and plan.

3 . Save you stress: Putting a design together is often like juggling. Where should the light fittings should go? Will the furniture fit? Is the window in right place? Does this cushion go with these curtains? You get the picture. Interior designers help you see the wood for the trees, and eliminates a level of stress and anxiety.

4. Give you personalised style: Designs from interior designers are not pulled from magazines. They are based on a client’s brief and are individual, so you know you’ve got a unique design based on your space, how your use it, your personality and how you want to feel in it.

5. Give you creative design: From the braid selection and the design of the window treatments, to the handles on the kitchen doors and the routing of the woodwork, each element is carefully selected with attention to detail. Add to that, your interior designer will have innovative solutions for tricky spaces.

Essentially, an interior designer is a resource that will help you achieve your interior design goals, by guiding the decision-making process from the initial idea to the unique finished design you can enjoy.

If you’d like to discover more about how an interior designer can help your project, please drop me a line ( helen@athomebydesign ) or phone 07971 719357 for a chat.

Helping the design process run smoothly Q&As

Mon, 06 Mar 2023 17:01:19 GMT

Tips for getting the design you want

It takes time for a designer to get to know you. Sometimes design ideas offer something new and exciting. Sometimes they are just. not what you're looking for.

The process is evolutionary and communication is key. If you have any concerns, please talk to your designer.

Five ways to spruce up your home for spring

helen@p4pr.co.uk (Helen McClure) — Tue, 25 May 2021 10:16:42 GMT

What happened to spring? Surely it's nearly summer?!

Spring hasn't really turned up this year, has it?! Weeks and weeks of cold rain has made May one of the coldest on record. And probably one of the wettest.

So it's no surprise that most of us are not feeling the sunshine vibes yet. We'd like you meet Maison Partnership who, as well as offering a fresh approach to the housing market, have some beautiful properties to share. I'll be collaborating with them in the near future, and they've kindly offered some top tips on how to spruce your house up for spring - when it arrives!

How to decorate your rental property to create a home you'll love

helen@p4pr.co.uk (Helen McClure) — Fri, 26 Feb 2021 15:35:52 GMT

Who said expat life was all cocktails by the pool?

Life as an expat is fun, but living in rented accommodation, often moving from place to place, brings with it its own issues.

I moved to Chicago when my daughters were three and six months old and lived in a beautiful house with big rooms and tall ceilings, making our British furniture look like it had been made for Borrowers. We then moved to Dubai, where the sun rotted and discoloured the fabrics quicker than I could replace then. Finally, we moved to Singapore, where the humidity encourage mould to grow on natural materials such as my leather sofa. It turns out that choosing furniture to match the weather can be expensive, and that expat interior design can be hard work!

We’re now nestled in a village on the edge of the Surrey Hills, in a home we own. I can paint the walls when I want, and hang pictures where I want.

One of the trickiest problems of expat life is creating a home in someone else’s space, where you’re limited in how you decorate the walls. Often long-term rental landlords allow you to hang pictures (check your contracts first!), but restrict more involved work.

So how do you decorate a rental property? At the end of the day, you’re not going to stay in a property very long if you don’t feel at home. Here’s some top tips for creating interiors that work for you.

1. Be creative with colour

Your landlord may be happy for you to paint the walls, usually on the understanding that you return the property back to its original state. Even if you’re not keen on sinking your hard-earn money in redecoration there’s a lot you can do to add cheer, investing in things you can take with you.

Cushions and throws are the easiest and most cost effective change you can make, as well as bed linen and art. If you’ve found some gorgeous fabric you can’t live without, changing the curtains will have real impact, or if that’s a step too far, how about making a wall hanging to go behind the sofa or bed?

2. Be creative with pattern and texture

Changing the carpet is a huge financial investment, but adding a rug isn’t. Used in a clever way, rugs can create zones, and the illusion of cosy spaces in big rooms. They also add warmth on hard floors and help to dampen the noise.

If you don’t want the hassle of papering the walls, there are lots of beautiful removable murals that can be added. Plants are another way to add texture as well as helping to make your home healthier. Layer them using different height planters, or use them to decorate shelves and fill spaces.

3. Centre of attention

If there are areas of your home you’re not keen on, using the artefacts you’ve collected during your travels to create interesting displays will draw the eye, whether that’s pieces of American art, Asian sculpture, Middle Eastern coffee pots or African fertility beads!

The key is to group pieces in odd numbers and display them in unexpected or interesting ways. Sometimes a simple line of pots on a shelf is understated enough to says lots, especially if it’s given space to breath. Layers of artwork leaning against a wall or on top of a sideboard adds intrigue and means you don’t have to put extra holes in the wall!

4. It’s all about the detail

You may not be able to change your kitchen, but if good interiors are about drawing the eye, how about changing the handles? Keep the old ones somewhere safe so when you move you can swap them back again.

Hate the glass in a door? Add some patterned or coloured film to create something interesting. And if you want to hide a horrible corner, it may be worth buying a decorative screen.

5. Use all the senses

How we feel in a space is not just about what we can see. Sometimes it’s about what we can’t see. If you hate the lighting add some beautiful lamps. These can be works of art in their own right, enhancing a room with colour and shape. Candles are also a brilliant way of creating an atmosphere, and a scented candle will also excite the nose as well as the eye.

Moving again? If you’re moving house soon, the Packing up chapter in the book Do they eat soup in England? Insights and advice for expats struggling to find their identity abroad may be useful. The book is available from Amazon in paperback or for Kindle.

Should our historic buildings and interiors be protected?

helen@p4pr.co.uk (Helen McClure) — Thu, 04 Feb 2021 15:41:15 GMT

What can we learn from the past?

A beautiful Tudor cottage nestles prettily among the wafting pink flowers, loved and perfectly preserved.

A potentially handsome Victorian townhouse, stripped of all its original adornments, stands proudly to attention in a striking row of identical properties.

Fashions and trends are constantly changing. Through this state of flux some buildings manage to remain largely untouched for decades, thanks to a succession of owners who have felt some emotional connection to the past. Stately homes, handed down over generations, are a great example, even though there are very few older buildings that can truly declare they are a faithful representation of their original state. They are architectural logbooks of human endeavour. They are an evolving collage of now and then.

Each building has a story, and when this captures people’s imagination the patina and spirit of the place are kept intact, even if the functionality is changed. After all, there is no need to live an uncomfortable life without an inside bathroom, even if you take on a custodial role.

There’s even an environmental argument for renovating. The quality of old bricks means they can be reused if a wall has lost its structural integrity, and with the right insulation and care old houses can even compete with passive houses, in terms of carbon footprint, when you take into consideration the need to manufacture materials for a new build.

However, financial pressures often mean perfectly good buildings are destroyed. There is no VAT to pay on new builds so it’s often cheaper to knock them down and start again.

If this happens, what do you build in its place? Something that looks like it’s been there a long time, or something completely original? Past styles can provide inspiration, but why fake it when you can create something authentic and prototypical, or have the opportunity to juxtapose old and new?

So that leads us to a new way of thinking – the Chatsworth Effect – using old possessions alongside new, rather than just being reverent to a certain period. As long as there is balance, harmony and quality of workmanship on both sides, new contrasting styles can be fashioned. Every decision becomes an act of design, from taking wallpaper off to keeping old paintwork.

With so many exciting developments in technology, news ways of designing, the emergence of fresh viewpoints, solid environmental arguments and pressure from a housing shortfall do we need to build new houses, or can we repurpose the old? In the 1960s, mews buildings became de rigueur. In the 1980s, it was warehouses. What will it be tomorrow? Retail spaces?

With special thanks to leading advocates Jonathan Tuckey, Rahib Hage and Edward Bulmer for their views and insights during a panel discussion at Focus/18: Past, present, future: Reimagination and renewal http://www.jonathantuckey.com/

http://rabih-hage.com/

https://www.edwardbulmerinteriordesign.co.uk/

Easy ways to create a stylish and practical home office

helen@p4pr.co.uk (Helen McClure) — Thu, 04 Feb 2021 15:08:18 GMT

Can working from home be as productive as the office?

Does your home become an office or does your office become a home? Working from home has never been the easiest thing to do. And it’s not just about the distractions of the biscuit tin and washing pile, although that doesn’t help.

Creating an environment to help make sure you don’t become distracted is one thing. Finding the space to do it is another.

You may have a room that is earmarked “study”. But is that what you do in it? The word conjures up smoky images of walls lined with leather-bound books, sitting neatly and proudly on oak shelves, classical brass fittings and an oversized clear and tidy desk. What is more probably is a stack of papers that you keep moving around, an odd assortment of books you haven’t got around to sorting and a pen pot with a nail file, a broken ruler and three chewed pens. Of course, only one of these pens will actually work and every time you go to use one you’ll end up playing Russian Roulette.

Or maybe the study is a desk on the landing, surrounded by the hubbub of the household, forcing you to retreat into a cupboard with a torch.

So, the first problem we all face when trying to set up a place to work from home is space . (For the record, as someone who is self-employed, my studio is in my home. And I work. Hard. Given the new normal way of working, the derogatory insinuation that very little work takes place when you’re at home, has now been assigned to the wastepaper basket. It’s official.)

The second issue comes down to ergonomics . I love the photos of pretty chairs in soft velvets, placed at a jaunty angle next to an antique writing desk no bigger than a shoe box. But in the land of reality it doesn’t work. Even if you don’t drop your fountain pen on the chair, or your children don’t sit on their chocolate biscuit, it will give you trapped nerves, shoulder pain and aggravate sciatica - I can attest to that. Everything from the height of your desk, the shape of your chair, the juxtaposition to a window, and the position of your keyboard has to be taken into consideration. It all matters.

Then comes the storage . I’m a stickler for clean surfaces and am forever chasing my family waving forgotten sunglasses and random bits of paper dumped on the breakfast bar, demanding: “Are these your’s?” It’s annoying for me and in turn I annoy everyone else. But a cluttered environment is a stressful one, and so your home office needs to have storage, and plenty of it. Even in this paperless world, letters come through the door, magazines stack up and printer paper is required. A drawer for pens, elastic bands, staplers, odd coins, and the strange looking piece of plastic that surely belongs to something, is very useful. If that’s untidy it doesn’t matter. Just shut it. Which, come to think of it, is exactly the approach my husband takes to his study.

Finally, comes the part we love to think about – how to make it look the way we want it to look, whether that’s the leather-topped bureau and rich red walls to help you feel studious and cosseted, or a light and bright space to read in and make you feel you have room to breathe. Where in the house your workspace is located, and what natural light it has, will have a huge bearing on the design you choose, including the colours and lighting.

So much to consider. And you thought having a laptop meant you could work anywhere!

For more advice on creating a home office take a look at our services .

How to improve your mental health by changing your interiors

helen@p4pr.co.uk (Helen McClure) — Thu, 04 Feb 2021 14:54:21 GMT

Feeling at home at home

Some people long for the wow factor to impress guests. Some want to feel comfortable and relaxed in their own space. Some want their homes to reflect their personality.

They are lots of reasons why we paint our walls and hang up wallpaper.

The choices we make, or don’t make, have a huge impact on our mental health too.

Stuck in a home we hate, longing to escape can be horrible. We can feel unsettled, or even depressed, if we can’t feel at home in our own space. We all have different personalities and needs, and that’s why are homes are all different too. A neat freak (like me) would never feel at home in clutter and chaos, and someone who works long hours, and just wants to put their feet up in the evening, won’t feel relaxed in a home where they feel they have to hover in case they disturb the direction of the nap on the sofa.

Creating harmony at home is an easy way to help us feel more energised and less stressed. And if we’re more relaxed in our environment we’re more productive too.

So, where do you start? What improvements can you make? Here’s my top three tips:

1. Clutter means chaos – Seeing a mess everywhere you go is stressful. Trying to find things when all your see is the stuff you don’t need causes unnecessary anxiety. How you deal with the everyday detritus of life is difficult when your kids, husband and pets just add to the mess. I don’t know how many times I’ve tried to encourage my family to see that everything has a home so you can find it again.

We do live in homes, however, not museums, so we need to be practical. I like clear surfaces, so I have drawers and boxes to hide the mess. There’s a box on the hall table for keys, wallets and the stuff I need to grab when I run out the door. There is the odds and sods box for things that look like they should be useful but I’m unsure of their purpose. And then there’s the trays I have for my children. If they leave stuff hanging around too long it gets put in the tray, one for each child. I keep hold of it until they are in a mad panic trying to find it, or more usually, I dump it on their bed and shut the door. And don’t get me started on my husband’s desk. Doors are great inventions.

2. Don’t feel out of place – A friend once asked me to take a look at her living room. She loved every piece of furniture in it, the colours of the walls and the accessories, but she just felt it wasn’t right. Intuition plays a large role in creativity, as does experience. We took a step back and viewed her lounge from different angles and found – the rectangular coffee table was the wrong way around. Just 90, but that had shifted the room on its axis. Once we’d moved it, my friend immediately felt a weight had been lifted. Call it an exaggeration, but let’s call it feng shui, or even geometry. She felt able to relax.

3. The lightbulb moment – Dark rooms will always be dark. Even if you paint the walls white, they will just look grey. I usually embrace it and have fun with richer tones – but lighting is key. There is nothing more frustrating that putting on the light to find it hasn’t helped and you still can’t read your book. Task lighting is the secret. Have a think about what tasks take place in each room so you can pair the task with the lighting it needs. Spotlamps over desks are important; lamps between sofas; ambient lighting for dinner parties; undercupboard lighting above the kitchen work surfaces. We’re all aging but I don’t want to feel older than I am because I can’t see!

I hope these ideas give you something useful. I haven’t even got started on the impact of natural light, plants and colour on our moods.

If you’re still stuck drop me a line . I’d love to hear from you.

How to create interest or a focal point in a room

helen@p4pr.co.uk (Helen McClure) — Thu, 04 Feb 2021 14:42:32 GMT

Making a room interesting means choosing where to look

Focal points in a room give the eye somewhere to rest. It also gives a room interest and can act as a conversation starter. And after all, if the eye is drawn to your display, it won’t see the mess and detritus of every day life!

1. Create a talking point:

Is there a piece of unusual art you’re fond of? Have you picked up a holiday souvenir and don’t know what to do with it? Display it in a way that means visitors ask about it. It’s an easy way to start a conversation.

2. Use symmetry:

The human eye is drawn to pleasing shapes and regular patterns. We’re taught at school to find a theme in something that appears to be random.

(Don’t tell me you haven’t spotted repeated shapes in a frosted window, or wallpaper!) It’s therefore restful and pleasing to the eye when it spots symmetry.

3. Create a collection:

If you have a collection of photographs, pictures, teapots, boxes, or nicknacks that mean something to you, pull them together in an interesting display. Design should include personality.

A space in your home primary has a function. It’s where you cook, where you relax, where you sleep, or it’s simply where you hang your coat. It has a purpose.

The practical nature of the room doesn’t mean it has to be boring. Here are three ways to add interest.

1. Do the unexpected:

Have some fun and do something quirky. It will raise a smile and give a happy, warm feeling to a room.

2. Go wild:

Use nature as your inspiration. Collect fir cones, feathers, pieces of driftwood or simply take a collection of flower photographs.

3. Mix it up:

Try putting together an eclectic display of contrasting things, perhaps old and new furniture, flowery and striped fabrics, or shelving of different shapes and colours.

Quick & easy top tips for decluttering your home

helen@p4pr.co.uk (Helen McClure) — Wed, 03 Feb 2021 15:14:46 GMT

Getting rid of clutter to ban chaos

Clutter create chaos. It can be stressful to look at. It costs you time when you’re searching for stuff. And it can affect the value of your home.

So here’s my quick guide and top tips for decluttering and creating the perfect pad, whether you’re trying to reduce anxiety in your home, prepare it for sale, or get it ready for decorating.

1. Find the right room: The first step is pretty easy. Simple walk around your house and make sure everything is in the right room. Encourage the teenagers to take their plates out of the lounge. Remove the corkscrew from the bathroom counter (what on earth was it doing there anyway?!). Move the TV remote from the kitchen to the living room. You don’t even have to start tidying yet.

2. Get handy with a list: Lists are great for helping you feel like you’re making progress, and that positive energy helps you to complete more tasks. Make a list of every room in the house, along with the tasks that need to happen in each room, for example:

Kitchen:

Reorganise drawers
Tidy table
Reorganise cupboards
Under oven
Below sink
Above coffee maker, etc.

It’s ridiculous that I get such a sense of achievement from ticking things off a list, but I do, to the extent that I’ve even been known to add things I’ve already done, just so I can tick them off!

3. Don’t be afraid to make a mess: Before things start to look tidy, the room will look worse than when you started. It will get better! I promise. Take your list and choose a room, and choose a task to tackle. If you’ve decided to reorganize the drawers, take everything out first and put it on the counter or floor. Sort everything into piles of what you want to keep, what you want to get rid of, and perhaps a pile of things you’re not sure about. (You can make a judgement about them at the end, based on how often you use them, whether they can be repurposed, or simply whether they actually fit in the drawer – or on us, in the case of clothes! Sometimes we just need to get used to the idea of getting rid of it.)

Think about how to keep your drawers tidy in the future. This could be buying little inserts from a storage company, using cutlery trays, even using shoe boxes. If your belongings are compartmentalised they will be easier to find and keep tidy.

4. Have a system: We know that everything should have a home, but sometimes it’s also about having a system. Some things don’t have homes. Where does the post go, when it arrives, for example? If you’ve time to deal with it straightaway, that’s great. But if not, does it just accumulate on the kitchen table? Perhaps have a shoebox in the hall so it’s all in one place and when you’ve time you can pick up the box and go through it. Then you’re not searching all over the house for the bill you need to pay.

What about your wallet and keys? Do you need a drawer in the kitchen? Do you have phone chargers all over the house or can you create a charging station so all electronics are kept in one place? Essentially, if you’re always hunting for something, you need a system, or a home for it.

5. Hand it to them on a tray: Filing trays are really handy. It could even be a shoe box. If my children, or my husband for that matter, leave bits and pieces lying around, I put them in a tray, one for each person. I then either keep hold of it until they are madly searching for the blue pen they left on the kitchen table or, when the tray is full, empty it in their room. It’s really hard to get kids to keep their rooms tidy. You can try and incentivise them, reward them, or if you don’t have the energy, simply shut the door. You don’t have to live in their mess!

One growing concern about decluttering is how much serviceable stuff ends up in landfill. Perhaps someone else can use what you don’t need. Or maybe it can be upcycled. I really try to think of creative ways to reuse things, in place of buying something new. And that ends up being key to keeping the clutter at bay. The trick is to buy less, and only use what you need.

Decluttering isn’t about turning your home into a museum where everything is perfect. It’s about creating an environment that reflects your personality and how you like to live. It’s about making a home that’s relaxing, where you want to spend time, rather than a receptacle of chaos where you’re constantly moving detritus out of the way.

I’d love to hear your top tips. Good luck.

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