Opposites attract: Coleton Fishacre

Marrying Arts and Crafts design with Art Deco glamour

As you approach the quarried stone façade of Coleton Fishacre, it’s easy to imagine the sound of jazz, clinking champagne coupes and party hubbub drifting across the Devon cliffs. This house isn’t just a relic of its time: it’s a rare conversation between two design movements that defined a century.


In the mid 1920s, this Arts and Crafts-style home was built for the D’Oyly Carte family, by Lutyen’s apprentice Oswald Milne, upholding the high standards of craftsmanship and simple design characterised by English architecture of the time.


Swing open the front door, and you immediately step across the channel to the Art Deco interiors inspired by French style, which also celebrates its centenary this year.


Yet somehow, the quintessential essence of the interior and exterior design work. There is glamour in the interiors, but it’s pared back and easy on the eye. There is a rural charm to the exterior, but it’s on a bold scale growing out of its robust coastal landscape. The building has a unique character and balance. Behind this seamless blend of styles lies a deeply personal story: one of creativity, loss and reinvention.

How it all started

Rupert and Dorothy D’Oyly Carte spotted the cliff top plot when sailing along the south Devon Coast. With work based in London, they were looking for a rural retreat. Rupert was the son of Richard D’oyly Carte, famous for discovering the musical talents of Gilbert and Sullivan, building two London theatres and creating an hotel portfolio, which included the Savoy Hotel and Claridge’s in London.


The couple had two children, Bridget and Michael, and enjoyed the sanctuary of Coleton Fishacre until 1932, when Michael was killed in a car accident in Switzerland, aged 21. Grief undermined the marriage and the couple separated in 1936.


Details to look out for

The streamlined and minimalist interiors create a consistency, flow and lack ostentation. The woodwork is limed oak; the simple honeycomb ceiling lights are adorned with tassels; the ground-glass teal sink splashbacks in the bedrooms are the same as those used in the Savoy hotel.


An intriguing incorporation, is the position of the flower room, positioned right by the front door. Usually considered a working part of the house, and hidden, this small room complete with running water and shelves for vases, was used by Lady Dorothy regularly, although it also doubled as a cloakroom for coats and outdoor clothes.


The Arts and Crafts ethos often naturally, and accidentally, addressed sustainability issues. A narrow-gauge railway was used to haul stone quarried further down the hill up to the building site. The railway track was later used to support the Belfast sinks in the kitchen.


The Art Deco ethos is also evident throughout the building. The library and sitting rooms are intimate and modestly proportioned, but step down the theatre-inspired steps to the saloon and you feel as if a performance is about to begin. Although dramatic, the steps are practical, dealing with the challenge of changing floor levels created by building on a hillside.


The room’s windows offer generous views of the garden towards the sea, and the walls are left plain to ensure attention isn’t detracted from the bucolic pictures created. The room is impressive in size, but the interior design is still pared back.


The one nod to art in its traditional form is the cream carpet, with its large-scale pattern, created specifically for this room. Marion Dorn, originally from San Fransico, was a leading freelance textile designer of the time, and Rupert D’Oyly Carte commissioned her to design carpets for his hotels. Her signature appears on her rugs, woven into the design.


An Arts and Crafts house is often not complete without a designed garden, which is seen as a continuation of the building. Coleton Fishacre boasts terraces of exotic plants from temperate climes, some sourced from holidays in Crete and Madeira. The Rill Garden was designed by Oswald Milne with quarried stone, streams and pools.


Fashionable styles in balance

Coleton Fishacre is an intriguing glance into the lives of a family whose fortune was built on an entertainment empire in London. They needed an antidote to the frenetic and exciting life of the city, and found it in the rugged coastline of south Devon, where a fashionable, but quieter, life could be enjoyed. 


In his design, Oswald Milne has carefully layered Arts and Crafts sensibilities with Art Deco glamour, sticking to a simple elegance, which has meant that both have endured the test of a century. 


Coleton Fishacre reminds us that contrasting styles needn’t compete. When handled with care, they enhance one another. It’s a principle that still informs thoughtful interior design today.


A century on, Coleton Fishacre still feels modern because it celebrates contrast - texture against polish, tradition beside innovation. It’s a reminder that great design tells a story, and that even the most unexpected pairings can create timeless harmony.


If you’re drawn to a balance of heritage and glamour, perhaps it’s time to explore how these principles could shape your own space.




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